Marvel character highlight #06: Rogue

Name: Anna Marie

Affiliation: X-Men, Brotherhood of Evil Mutants

Special abilities: Absorbs — sometimes permanently — the life force and psyche of an individual that she touches with skin-to-skin contact. With absorption from mutants, Rogue can temporarily or permanently use the powers of the individual, depending on the length of time that she maintains contact.

Background: Rogue began life in the Mississippi bayou. At the age of 14, she began seeing a young man named Cody Robbins. When she kissed him for the first time, her mutant powers manifested and caused him to fall into a permanent coma. After she ran away from home, Rogue was taken in and raised by adoptive mother Mystique, leader of the Evil Brotherhood of Mutants. Within this home, Rogue committed crimes under the guise of Mystique and her brood. It was then that she encountered Carol Danvers, better known as the mutant Ms. Marvel. During a fight with Danvers, she permanently absorbed Marvel’s powers and gained super strength and flight. She also gained her psyche, which slowly took over Rogue’s body.

After several battles with the X-Men, allies of Ms. Marvel, Rogue joined the group to learn to better control her powers. She also had begun wearing a protective suit to avoid accidentally hurting others. Her admission to the group was rocky at first, but she soon was trusted enough to lead as a field commander and her own team. Rogue has been at times depowered and maintained a relationship with fellow X-Man Gambit. This relationship has proved to be a popular and frequent partnership among the group of mutants.

Relationships: Remy LeBeau (Gambit), lover; Erik Lesherr (Magneto), lover; Raven Darkholme et al (Mystique), adoptive mother; Kurt Wagner (Nightcrawler), adoptive brother; Graydon Creed, adoptive brother.

First versus game appearance: X-Men vs. Street Fighter

Appearances in other media: Marvel vs. Capcom (arcade), Marvel vs. Capcom 2 (arcade), X-Men vs. Street Fighter (arcade), X-Men (Genesis), X-Men: Mojo World (Game Gear), X-Men: Mutant Academy 2 (PlayStation), X-Men: Next Dimension (PlayStation 2, Gamecube), X2: Wolverine’s Revenge (multiplatform), Spider-Man 2: Enter Electro (PlayStation),  X-Men Legends (multiplatform), X-Men Legends II: Rise of Apocalypse (multiplatform), X-Men (film), X2: X-Men United (film), X-Men: The Last Stand (film), X-Men the Animated Series (television), X-Men Evolution (television), Wolverine and the X-Men (television).

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Otaku #05: Death Note Vol. 3

‘Death Note Volume 3’ adds faces, intrigue to Light’s saga

Brandon Beatty, contributing editor

This quarter in the Otaku corner, I’m continuing the review of the biggest battle of good versus evil ever seen in Japanese animation in Volume 3 of “Death Note.”

A word of advice: Buckle your seat belts because new players arrive on the scene to shake things up and  set the foundation for more intense battles in the manga’s future.

A small recap: “Death Note” is the tale of Light Yagami, an ace high school student with great prospects who is completely bored with his life. That changes when he finds the “death note,” a notebook with the power to kill anyone whose name is written in it. Light, using the name Kira, vows to use the death note to rid the world of crime, resulting in criminals dropping dead. This leaves authorities no choice but to send in world-renowned detective L to solve the case.

photo courtesy of Amazon.com

In volume 3, Light has discovered that L has placed 64 surveillance cameras and microphones in his home. Once again, however,  Light/Kira manages to evade capture: He uses a bag of barbecue potato chips with a miniature TV inside and acts as though he is preparing for college entry exams as Ryuk, original owner of the death note and companion to Light, searches for the cameras and microphones. L, not completely fooled by Light’s tactics, decides to up the ante by enrolling at the same university that Light is attending using the name of Hideki Ryuga.

The mind games are temporarily stopped when Light’s father is sent to the hospital with the speculation that Kira caused his heart attack. At this point in the story, I consider both the mind games and Soichiro Yagami’s heart attack to be a filler break , leading readers to an action-packed stand off that results in the arrival of a “new” Kira as the femme fatale who, unknowingly to  Light and L, will have a major impact in upcoming chapters.

Tsugumi Ohba and Takeshi Obata continue to keep the perfect fusion of paranormal action and mystery through precise writing and energetic art in “Death Note,” refraining from the use of fan service elements usually found in anime and manga. While reading Death Note, you will be challenged to think more about their personal morals while at the same time evolving their appreciation for innovative storylines.

We’ll get further along with more Death Note action in future editions of Otaku, so keep an eye out for more commentary and analysis on the tale of Light, L and Ryuk. By the way if you rooting for “Team Light,” be like Kira and support your local shinigami by buying them apples. They’ll thank you for it.

Brandon Beatty is contributing editor for Gaming Insurrection. He can be reached by e-mail at gicomics@gaminginsurrection.com

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Top 5 list: Useless heroes edition

There are heroes out there. They’re good characters who work to keep evil at bay in the universe. However, just because you’re working for the good of man and creature alike, doesn’t mean you’re useful, unfortunately. Here are five that don’t exactly get the job for good done.

 

Yamcha from Dragonball Z

YAMCHA
This Z-fighter hanger-on from Dragon Ball admittedly gave up the heavy-duty work because he realized he wasn’t cutting it on the battlefield and the others in the group (namely Vegeta, Goku, Trunks and Gohan) were much better. But seriously, if you aren’t of the saiyan race in that series, you don’t stand a chance and Yamcha isn’t saiyan. Oh, and when your girlfriend at the time drops you for the vengeful anti-hero because he looks good in armor and pink shirts that say “Bad Man” on the back, you know you have problems.

 

Lifeline from G.I. Joe

LIFELINE
While being a medic and working to save people’s lives is extremely cool and an underappreciated career by the average Joe, Lifeline is not exactly the awesome representative that most medics are. He doesn’t do much except heal a few characters in the background. That’s about it. While we don’t expect him to perform frontline work, he’s a member of G.I. Joe! He should be doing more dangerous work and we don’t mean pulling out Band-Aids sometimes.

 

Wonder Twins

WONDER TWINS
Because they need both their powers to become their separate forms, they can’t work without being together. A symbiotic relationship that features some of the most useless transformations ever (animal, water), you’d almost be better off going with Aquaman. Almost.

 

Smurfs

SNORKS/SMURFS
What exactly do these creatures do? We still haven’t figured out how the Smurfs even survive the multiple attempts on their lives without Papa Smurf to lead them around by their noses, and the Snorks have got to be the goofiest group of animated dimwits ever made. We suffered through the Smurfs back in the day (thanks to the greatness that is Jokey Smurf) but the Snorks were utter and complete crap. There, we’ve said it.

 

 

Aquaman from DC comics

AQUAMAN
Most of the adventures involving the superhero who can speak to underwater creatures involve him being on land. We ask the all-important question again: How is he useful?

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Comic property review: “The Spirit”

Photo courtesy of ComicBookMovie.com

‘The Spirit’ lacking in focus, execution

“The Spirit”
Lionsgate, 2008

Despite reviews to the contrary, “The Spirit” isn’t a bad movie. It is a mess in some spots and it requires multiple viewings to fully understand what’s going on but, overall, it’s not bad; it’s just that its attention span is all over the place and could benefit from a pacing specialist’s undivided time.

Visually, it’s gorgeous. If you fell in love with the look of “Sin City,” you will love “The Spirit.” It sings for its supper in its lush graphics, and the mix of comic style and computer generated work does it a world of good. The costume direction is also a winner, and most of the characters look awesome with a softened glow about them against a gritty backdrop of crime, death and resurrection. Of particular note are the costume changes of Samuel L. Jackson and Scarlett Johansson, both who steal the show with their chemistry and impeccable timing. Gabriel Macht and Eva Mendes do a fine job in their lead roles and inspire feelings of sympathy and understanding for their predicaments.

“The Spirit” isn’t without its flaws, however. First of all, it’s not particularly true to the comics. The Octopus never shows his face in the original property. However, we can let it slide because it’s Samuel L. Jackson. He’s allowed to ham it up, and he’s a marquee name. Another change is the fact that the Spirit didn’t originally have the healing factor power he’s given. Again, the addition is jarring but it’s needed to pull the movie closer to the sensational to lure audiences in. However, it didn’t work as the film has only grossed nearly $39 million.

Thirdly, the story jumps around quite a bit. It’s not told nearly as well as “Sin City” and it’s not paced particularly well, either. In some parts — mostly those featuring Jackson — it’s hilarious and dark. In others, it’s slow and tedious, and you wish it’d pick up the pace and stop dragging its heels toward the inevitable Octopus-Spirit showdown climax. And finally, the climax, while it seems to take forever to get to, isn’t all that great. It’s really anticlimactic. What we really wanted was more of an emotional payoff for the Spirit’s romantic entanglements. Otherwise, it’s got a twitch factor that either you’ll get or you won’t. Despite its weirdness, we got a decent comic book movie fleshed out with interesting characters. Color us happy.

How we grade
We score the properties in three categories: Casting (or voice acting in case of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Casting: 9.5/10
Plot: 6/10
Like the comics?: 4/10
Overall rating: 19.5/30 or 6.5


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Otaku #04: The All-New Tenchi Muyo

Tenchi Muyo’s habit of chasing love comes back in new manga

Brandon Beatty, contributing editor

I’m dusting off a legendary anime throwback. Doing this brings back memories of Cartoon Network’s hit show Toonami, which brought its viewers the best action shows around. Of course, great anime helped complement Toonami, along with its host Tom the Robot and the baddest ride around, the starship Absolution. However, one of its anime shows had a guy who was not only the standard of what heroes should be, but he was also popular with women from outer space. Yes, otaku, I’m talking about Tenchi Masaki, and he and his friends are back in volume one of The All New Tenchi Muyo published by Viz Media.

The All New Tenchi Muyo is part of the original Tenchi Muyo storyline from which the series itself spans and contains movies, TV series and spin-offs. It is considered among the greatest anime series of all time. The entire main

Photo courtesy of Amazon.com

cast is back in this series, starring in several adventures in the first volume, which is subtitled Alien Nation. Each of Tenchi’s lovely lady friends has their own story from Ryoko getting a job, Sasami baking a delicious cake that holds a special meaning to her and Ayeka (Sasami’s sister) to Tenchi and Ayeka going on a date. Also Mihoshi, the galactic police officer, crashes her spaceship in Masaki Lake, the super genius Washu stops a burglary attempt by two space thieves, and in the final chapter, Ryo-oh-ki transforms into a sexy and adult form of herself to go on a date with Tenchi as a reward for learning to walk in her adult form.

As a Tenchi Muyo fan, I was very pleased that Hitoshi Okuda kept the formula intact that made this series loved globally by anime fans from the beginning. Each page is guaranteed to bring back the great memories fans have of seeing Tenchi and company’s adventures on Toonami. All the characters and settings stayed true to the original storyline without any missing links. To be fair, I must also give Viz Media’s Fred Burke and Lillian Olsen credit for a flawless English adaptation and translation in this return of Tenchi and company to fans outside of Japan.

In short, The All New Tenchi Muyo: Alien Nation did not let me down as a Tenchi fan. Until Tenchi and crew return to U.S. airwaves for their second conquest via Ryo-oh-ki Airlines, this volume will please all Tenchi fans who believe that this series is not a fad but a true icon among anime. Tenchi now, Tenchi tomorrow, Tenchi forever!

Brandon Beatty contributes Otaku each quarter of Gaming Insurrection. He can be reached by e-mail at brandongi@gaminginsurrection.com.

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Marvel character highlight #05: Colossus

Name: Piotr Nikolaievitch Rasputin

Affiliation: X-Men, Excalibur, Acolytes

Special abilities: Covers his entire body in an organic metal outer shell that renders him impervious to most damage. While in his transformed state, he has superhuman strength and endurance.

Background: Piotr was born and raised in Communist Russia. He manifested his mutant powers during adolescence while saving his sister Ilyana from a runaway tractor. He used these powers to help his people on their collective farm. He was brought to the attention of Professor Charles Xavier during the attempt by the second genColossuseration of X-Men to rescue the first generation from the sentient island of Krakoa.

He remained with the team after the rescue and has been a member off and on ever since. Colossus briefly joined with the start-up British team of superheroes, Excalibur, and has even been a part of Magneto’s Acolytes. Rasputin was instrumental in the research and creation of the Legacy Virus cure that ravaged the mutant population. His “death,” along with the death of Ilyana, was the catalyst for the elimination of the mutant plague.

Relationships: Ilyana Rasputin (Magik/Darkchylde), sister; Mikhail Rasputin, brother; Kitty Pryde (Shadowcat), lover; Callisto, lover

First versus game appearance: X-Men: Children of the Atom

Appearances in other media: The Uncanny X-Men (NES), X-Men: Madness in the Murderworld (PC), X-Men (arcade), X-Men II: Fall of the Mutants (PC), X-Men: Children of the Atom (arcade), Marvel vs. Capcom (arcade), Marvel vs. Capcom 2 (arcade), X-Men: Reign of Apocalypse (GameBoy Advance), X2: Wolverine’s Revenge (multiplatform), X-Men Legends (multiplatform), X-Men Legends II: Rise of Apocalypse (multiplatform), X-Men: The Official Game (multiplatform), Marvel Ultimate Alliance (multiplatform), Marvel Ultimate Alliance 2 (multiplatform), X-Men the Animated Series (television), X-Men: Evolution (television), Wolverine and the X-Men animated series (television), Pryde of the X-Men (television), Spider-Man and His Amazing Friends (television), X-Men (film), X-2 (film), X-Men: The Last Stand (film)

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Comic property reviews: “Teenage Mutant Ninja Turtles” movies

In the first quarter 2011 of Gaming Insurrection’s The Strip, we took a look at all three Teenage Mutant Ninja Turtles movies. Read on to see how we feel about Teenage Mutant Ninja Turtles, Teenage Mutant Ninja Turtles II: The Secret of the Ooze and Teenage Mutant Ninja Turtles III.

Before we start, a little bit of explaining:

How we grade
We score the properties in three categories: Casting (or voice acting in case of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

A screenshot from Teenage Mutant Ninja Turtles

The Turtles make an interesting discovery in their lair in Teenage Mutant Ninja Turtles./Photo courtesy of TMNT.com

TMNT movie origins great way to start franchise

“Teenage Mutant Ninja Turtles”

New Line Cinema, 1990

Pulling from the comics to tell its origin story, Teenage Mutant Ninja Turtles does the franchise proud in its first stab at the movie business. With a few changes to some key elements, the movie Turtles still manage to convey the never-say-die attitude of the teen amphibians. Crucial fights and subtle humor are thrown in with great character development.

The casting is superb mostly. Judith Hoag was excellent as the plucky April O’Neil, and her pairing with Elias Koteas’ Casey Jones was enjoyable and believable. Shredder was menacing and imposing as well as his bodyguard, Tatsu (a movie only addition). The costuming looked great and so did the Turtles. Jim Henson’s Creature Factory pulled out the stops to make the suits for the Turtles, and it shows. Our only quibble with the characterization was the inclusion and creation of April’s boss and his son. They weren’t wholly necessary to the story, and while they set up interesting subplots for the core group, they didn’t really add to the movie. In fact, it seems they dragged it down in parts.

We particularly enjoyed the fact that by the time the first movie was released, the cartoon was in full swing, thus making the movie possible. While the movie works to distance itself from the cartoon quite a bit, it still retains elements from it to draw in the younger crowd. Subtle nods to the franchise’s two origins (comics and cartoon) are featured throughout, helping the movie firmly ground itself as a sci-fi kung-fu flick. This is a must-own for the children of the ’80s crowd who remembers the days when Turtles fought with honor.

Like the comics: 7/10

Casting: 9.5/10

Plot: 9/10

Overall rating: 8.5

New character Keno joins the Teenage Mutant Ninja Turtles in their quest to take on Shredder again in Teenage Mutant Ninja Turtles II: Secret of the Ooze./Photo courtesy of TMNT.com

One liners’ add hilarity to Turtles’ movie sequel

“Teenage Mutant Ninja Turtles II: Secret of the Ooze”

New Line Cinema, 1991

What’s not to like about the sequel to one of the most successful independent movies of all time? Not much. Everything that made the first film a year earlier successful is back, though with a few changes. First, there’s no Casey Jones. And the actress playing April was changed. And there’s the addition of Ernie Reyes Jr. as the Turtles’ friend Keno and villains Tokka and Razhar. But other than that, the Turtles are still the Turtles.

There’s more action and more one-liners. And the return of Shredder makes it a little bit more believable that he’s a major villain for the Turtles than the comics would have you believe. It’s not very plausible that Shredder would be a one-note villain who only appears in a movie to try to kill the heroes, so it’s obvious that his role was increased here, tying in the various games AND cartoon.

Character development was handled in the first movie and not too much is dwelled on here. We wish more was written about Keno and why he was so proficient in martial arts and insistent upon helping the Turtles. His lack of explanation sticks out like a sore thumb in an otherwise excellent tale for the Turtles. Also, is it too much to ask that Vanilla Ice should have been toned down? True, he doesn’t show up until the end, but really, Ninja Rap? It was odd and disconcerting as a child seeing him and that hasn’t changed in the 20 years since movie’s release. He does absolutely nothing for the film, and his cameo is beyond stupid. But, at least the Turtles got to dance.

Overall, watch the sequel if not for a laugh at the now-ancient fashions of the day, but for the ramped up humor that comes from creating a sequel for a TMNT movie.

Like the comics?: 5/10

Casting: 8/10

Plot: 7/10

Overall rating: 6.5

The Teenage Mutant Ninja Turtles try to return home to their time in Teenage Mutant Ninja Turtles III./Photo courtesy of TMNT.com

Boldly go where no Turtle should really ever go

“Teenage Mutant Ninja Turtles III”

New Line Cinema, 1992

A hackneyed plot and poor special effects make the third TMNT film the worst in the bunch. There isn’t much that could save the franchise from going downhill with the third movie. The plot of the Turtles time traveling literally doesn’t make much sense, and the first time that Lyndsey saw it in the theaters, she claims to have spent 20 minutes trying to make sure she was in the right movie.

The acting is garbage, the story is utter nonsense and has nothing to do with the TMNT universe, and there’s no mention of previous villains or characters that made an impact on the Turtles’ adventures. The bright spot in it all is the casting and return of Elias Koteas as Casey Jones. He, despite some ham-fisted acting, is a beacon of hope in a movie that is far from shimmering.

There is nothing here that really resembles the TMNT universe save the abandoned train system home that the Turtles found in Secret of the Ooze and Jones. We had trouble understanding the point of adding the scepter and why even some of the strange plots from the cartoon universe weren’t expanded on, such as the Utroms or Rocksteady and Bebop. If the movie can introduce samurai that we’ve never heard of, the least the writers could do is include mutants that we have heard of. This is one sewer tale that should have stayed underground.

Like the comics?: 0/10

Casting: 2/10

Plot: 2/10

Overall rating: 1.5

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Top 5 list: Best Shredder quotes edition

Oroku Saki. Villain. Genius. Comedic mastermind? The 1987 animated version of the Shredder was crucial to the mood, tone and popularity of the Teenage Mutant Ninja Turtles. Whether it was James Avery’s classic quick delivery or the timing of a well-placed oral jab to those Turtle boys, Shredder always seemed one step ahead in his plans and his verbal jousts. Here are five of the best one-liners from “guy who never has to look for a can opener.”

“Tonight I dine on turtle soup.” – The penultimate quote has made its way into the 1987 animated show, the comic and the games.

“Sayonara you shell-backed simpletons.” – This insult, thrown out to the Turtles as Shredder was getting away for the millionth time, made Lyndsey pause a VHS and ask her mom: 1. What is a simpleton? 2. What does sayonara mean? and 3. Why is Shredder so awesome? Educational and inspiring.

I borrowed your Alien Express card. I never leave the Technodrome without it.” – Referring to co-conspirator Krang’s ability to pay for technology, Shredder evoked modern advertisement to explain how he gets away with borrowing stuff and never paying for it during the seven seasons he wreaked havoc on New York City.

“Creatins” “Blasted turtles” “Fools” “Wretched reptiles” “Idiot(s)” – Shredder’s favorite words to describe his help, his nemesis and his help. In that order. Watch a video of his quotes on YouTube and these will show up quite often.

“Blast that grotesque ganglion!” – A nice way to refer to Krang. Shredder was capable of big words that required viewers to think. It’s nice to have an intelligent super villain who could make you laugh while hatching world domination plans.

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Strip Talk #05: The Teenage Mutant Ninja Turtles were animated heroes, advertising juggernaut all rolled into one

Lyndsey Mosley, editor-in-chief

The Teenage Mutant Turtles have dual personalities, quite frankly. They are among the few, if not the only, animated characters to have multiple versions within the consumer’s grasp that make them seem like the same old Turtles dressed up in the same old stories with different looks to them.

No one can dispute the juggernaut that was and still is the TMNT. Sure, they’re nowhere near as prevalent as they once were. Nowadays, you can’t walk down the street screaming “Cowabunga, dude!” without getting laughed at or possibly being evaluated for Bull Street or Patrick B. Harris. No, you can’t say you love being a turtle anymore without accusations of being stuck in a 1980s timewarp. But there was a time in America where it was hip to be a lean, green, turtle-loving pizza-eating machine. Those were the days when TMNT was king.

The franchise seemingly came out of nowhere with the comics book in 1984. It was as if there was nothing and then there were the Turtles. They were serious, starkly drawn characters who would fight and kill just as soon as they would be teens on the streets of New York looking for a little action. These are the classic times of the TMNT, where you could get a little blood mixed in with the culture of a gritty 1980s New York City scene rife with crime. And then it all exploded.

Cheesy on the one hand, wildly popular and inappropriate on the other, the 1987 animated show hit the scene and made mincemeat out of nearly every other franchise. The Turtles gained individual characteristics and with them came an increase in popularity that hadn’t been anticipated. The show took off with witty writing, superb voice acting and plots that made a lot of sense. The show worked hard to establish a base with children, though the seemingly innocuous writing is even risque for cartoons these days. Where else can a villain call a heroine of the show a bimbo?

Both pieces of the TMNT tale left a lasting impact. There’s a generation of grown folks that sang along with the opening theme of the ’87 show. Millions of “children of the ’80s” sink back into a coma of nostalgia now and then as they remember getting home from school, throwing off an acid-wash denim jacket, fixing a snack and plopping down in front of a TV to watch the four green dudes from Brooklyn take on a ninja master who “never has to look for a can opener” before tackling multiplication and long-division problems.

I am a child of the ’80s and I was once upon a time a pre-teenage mutant ninja turtle.

Lyndsey Mosley is editor of Gaming Insurrection and one of the biggest Teenage Mutant Ninja Turtles fans on the planet. She can be reached by e-mail at gicomics@gaminginsurrection.com.

PlayPlay
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Comic property review: “Punisher War Zone”

Photo courtesy of ComicBookResource.com

Third time’s a charm for Punisher

“Punisher War Zone”
Marvel Knights, 2008

If you can ignore the fact that this is the third attempt at bringing Frank Castle’s tale to big screen, you will love Punisher: War Zone. This is really what every Punisher film so far should have been: Gory, over-the-top action punctuated by the loss that Castle suffers.

With his family and humanity lost to senseless gang violence, Castle has to go the route of the Punisher. There is no other way and Lexi Alexander does an excellent job digging into the motif of Castle’s desire to lose himself in death. Using quick action shots, detailed costumes and a penchant for showing the worst ways to kill a man, War Zone achieves the effect that should have already been achieved by two previous actors: Death by Punisher.

War Zone’s Castle, Ray Stevenson, has the look of a man consumed with rage and revenge. He wears Castle’s raw emotions on his face well, and he makes an excellent dark anti-hero mired in a cesspool of a city.

Dominic West (who was also in last quarter’s review subject 300) is also excellent. Villains have become his strong suit and Jigsaw is a testament to his ability to take a character, immerse and make himself unrecognizable. Doug Hutchinson is a surprise standout as well. Having impressed us in his previous soap opera roles, he plays mentally insane well here. The other characters are rather stereotypical but they don’t necessarily get in the way of the story.

Overall Punisher: War Zone should have had a better draw in the movie industry. It received a bad rap because of its late-to-the-party status and drama surrounding production, but it really is a good adaptation of a comic book franchise and deserves to put ahead of the other attempts to bring the Punisher to the big screen.

How we grade
We score the properties in three categories: Casting (or voice acting in case of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Casting: 9/10
Plot: 8/10
Like the comics?: 10/10
Overall rating: 9

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