Marvel character highlight #08: Marrow

NAME: Sarah; last name may be Rushman

AFFILIATION: Morlocks; Weapon X, X-Men, Gene Nation, S.H.I.E.L.D.

SPECIAL ABILITIES: Rapidly re-grow the protruding bone spurs that protrude from her body, and which she uses as weapons. She also possesses two hearts and enhanced durability, making her difficult to kill.

BACKGROUND: She was a young mutant who left her normal life behind to journey into the sewers controlled by the Morlocks. Marrow survived the Mutant Massacre, which killed nearly all of them. After a number of encounters with the X-Men, Marrow joined with the group. However, her fiery personality and natural savageness meant that she never fit in at Charles Xavier’s school, and she left under mysterious conditions. More recently, she was recruited by the newly formed Weapon X program, who have boosted her mutant powers so she has control over her appearance.

FIRST VERSUS GAME APPEARANCE: Marvel vs. Capcom 2: New Age of Heroes

APPEARANCES IN OTHER MEDIA: X-Men Legends (multiplatform)

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Top 5 on The Strip: Unknown black superheroes

By Jamie Mosley, Gaming Insurrection

This quarter, I would like to pay tribute to those superheroes who usually do their jobs with little fanfare or fame. Of course, all superheroes, receive fame. But these heroes are the ones you don’t hear about often. They do their job and most are in a supporting role. But support or not, these five deserve their spot in our hearts. Here are cheers to those tanned super ones that always come through in the end.

James Rhodes / War Machine

JAMES RHODES

What can I say about the man who was Iron Man when Tony Stark had some “issues” to attend to? Rhodes was the one that put Iron Man in the West Coast Avengers. In many cases, Tony Stark has stated that James Rhodes’ Iron Man was the type of superhero that he strives to be like. Rhodes’ Iron Man gained many fans, but it wasn’t until he received the War Machine suit that the fan applauded. War Machine was the hero that you called in to either stop a war from starting or to start and finish a war. In other words, War Machine can talk the talk and walk the walk all while buffing the scratches off his shiny finish.

John Stewart / Green Lantern

JOHN STEWART

Selected as a back up for Hal Jordan, John Stewart showed that he didn’t just want to save lives; he wanted to change them as well. He is the kind of hero that knows that he is a role model to someone even if he hasn’t even met them. He understands that being a public superhero means you must think from all angles. Although Jordan disagreed with the Green Lantern Corps’ decision to make Stewart a member of the group, he later realized that Stewart is just what they needed. A smart, cunning guy with a belligerent attitude that wants to make a difference in the universe. Could you ask for anything more from a person who can create green creatures to fight and protect others?

Jill Carlyle / Crimson Avenger

JILL CARLYLE

OK, so Carlyle is more like an antihero, but she still saves the day all the same. Carlyle as the Crimson Avenger is the spirit of vengeance. Anyone who received an unjustly and ill-timed end knows that Ms. Carlyle will be there to avenge them. Although she must experience the death of those she receives as assignments, she will do whatever is necessary to complete this assignment. This includes defeating other heroes. Her guns have wounded Superman, Power Girl and Captain Atom. She is immortal, intangible and has a constantly bleeding gunshot wound to the chest. She sometimes fights against heroes or with them, but the end result is still the same: The bad guy loses to her.

Misty Knight

MISTY KNIGHT

This former NYPD officer is the kind of hero that we all read and hear about in the news. She solves those cases that no one seems to be able to solve. And, after Tony Stark gave her a bionic arm that allows her to lift 800 pounds, solving cases becomes a lot easier for her. Misty is one of the world’s best detectives. I don’t know about you, but I would sleep a lot better knowing that people like her are out there working.

Sineya / The First Slayer

THE FIRST SLAYER

If it wasn’t for the daughter of Sineya, would we even know who Buffy Summers is? It is written that the First Slayer was tied down against her will and shamans implanted the essence of a demon into her. This allowed her to gain strength, stamina and animal instinct. This spirit now mainly offers aid to slayers through wisdom. She once told Buffy that death was her gift, which caused Buffy to later sacrifice her life to save millions. When Buffy was campaigning against the First Evil, the First Slayer told Buffy that her current efforts weren’t enough. So Buffy made more Slayers to defeat it. If it wasn’t for the First Slayer, we all either would be sucking blood, demon food or food for a giant insect creature.

*All photos courtesy of the DC, Marvel and Top Horse comics wikia.
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Property review: Watchmen (film)

WATCHMEN

Warner Bros., 2009

Who watched the Watchmen? Sadly, not many

When you have a successful and highly regarded graphic novel as a basis for a movie, there shouldn’t be problems with the resulting product. And yet, Watchmen didn’t exactly set the world on fire. Maybe the movie-going public is or was tired of superhero flicks at the time, but “Watchmen” should have done better at the box office because it’s a fantastically made film.

The color choice and set pieces are amazing, and the atmosphere of slowed violence in motion will make your jaw drop. It’s visually striking in just about every take and coupled with smart, tight writing, the movie moves along at a decent clip. It is slightly too long but at least the story told within will more than keep your interest. This is a film that needed to be experienced on the big screen, and thankfully, that’s how we learned about it.

The tale of an alternate timeline of costumed superheroes, the continued Cold War and Richard Nixon managing the White House through the ’80s is a fantastic one, and we couldn’t help go in curious as to how it would all work. Having never read the original Watchmen graphic novel, we reserved judgment until after reading it and seeing the movie. It’s easily become one of our favorite comics since and with good reason: It’s smart, it’s gorgeous and it’s believable. The movie continues in the same vein and had most of the tools to succeed such as recognizable names attached to the project and established story.

The acting and casting isn’t necessarily the draw here but it’s serviceable. Everyone gives the same vibe off: They know their character and how that person or being fits into the larger scheme of storytelling. In particular, we salute the acting chops of Jeffrey Dean Morgan, who played The Comedian, for his ability to steal the scene in all of his appearances. He is one of the true draws here, and he gives you your money’s worth and then some.

There’s several minute changes overall that mostly the diehard fans will immediately notice, but to the standard moviegoer, it’s nothing that will make you stop watching. If you know nothing about the graphic novel, the movie will, if anything, create some curiosity for the original. Much like it’s earlier-reviewed brethren “300,” “Watchmen” lifts nearly every scene directly from its source material.

Some people have an issue with that, as it doesn’t exactly inspire creativity on the part of the director, but we disagree. This is one of the few instances where we’d rather have the graphic novel told directly with little to no changes than the translation screwed up (see: most video game movies).

If you’re looking for something a little different than the Dark Knight or mutants solving world crises, we suggest looking at the tale of non super-powered heroes who are just fighting for the right to exist. This one’s a gem.

How we grade

We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Casting: 8/10

Plot: 9.5/10

Like the comics?: 9.5/10

Overall rating: 27/30 or 9.0

 

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Otaku #07: Devil May Cry 3 Vol. 1

Devil May Cry 3 manga a great start for Dante

Brandon Beatty, contributing editor

In this issue’s Otaku Corner, I’m taking a look at manga based on popular video games. One of these manga is based on the third installment of Capcom’s best-selling game “Devil May Cry,” which allows DMC fans, for the first time, to experience the fast-paced action of the game series in graphic novel format in English thanks to the good people of Tokyo Pop Inc.

In the first volume of DMC3, everybody’s favorite demon slayer/bounty hunter Dante is unemployed and bored until his trusty manager Enzo sets him up with a missing person case with a reward of $4 million. All is not as it seems as Dante not only takes the job, but also faces a surprise attack by unknown demons that leads our hero on an adventure beyond his wildest imagination.

When I read the first edition of “DMC 3” from start to finish, I felt that I was on a nonstop thrill ride from the opening page to the last. Author Suguro Chayamachi did not take the

Devil May Cry 3 Vol. 1 / photo courtesy of Amazon

DMC3 saga lightly and perfectly mixed great art and story plot with the elements of a high-octane game. All of Dante’s swagger and cool gun/swordsmanship came intact as he flows through each page proving that he is worthy to be among the greatest video game characters of all time.

Tokyo Pop deserves a ton of the credit as translator Ray Yoshimoto and English adaptation writer Aaron Sparrow fluently brought DMC 3 to life without a hitch. Truly, Capcom did try a new method of bringing a popular franchise to fans without the usual hitches that most companies experience. Overall, I find DMC3 Volume 1 worth re-reading, guaranteeing absolute satisfaction.

Devil May Cry 3 Volume 1 is a perfect addition to any DMC’s fan collection. Dante retains the skills that make him the living nightmare for all demons and succeeds in his first travel though manga format thanks to creative collaboration between Capcom and Tokyo Pop.

This is a bold and trailblazing move for video game developers to make on their franchise knowing the risks. Keep reading Otaku Corner for more reviews of this series as we give gaming’s elite demon slayer five-star treatment in the world of Japanese comic art.

Brandon Beatty is contributing editor of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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Top 5 list: Worst comic book movies

Chances are, if you’re comic book fanatics like we are at Gaming Insurrection, you’ve seen one of the movies on this list. If you soak up overacting, tired drama and nonsensical plots with hamfisted writing, you’ve seen everything on this list and probably have them memorized. These are five of the worst comic book movies ever made. This list is also not definitive because there are more where these came from.

 

Vincent Perez and Mia Kirschner star in The Crow: City of Angels.

The Crow: City of Angels (1996)

You know how the first Crow movie was awesome because Brandon Lee was in it and seemed to embody Eric? Unfortunately, someone thought making a second movie and continuing the franchise after the death of the star was a good idea. It wasn’t. Not only did the filmmakers manage to besmirch the memory of Lee with a terrible, unattached story, but they also made a mockery of the original screenplay and concept, which came from the pain of a tragic event in author James O’Barr’s life. And don’t get us started on the ridiculous acting from Vincent Perez, who has managed to ruin another favorite series of ours, too: Queen of the Damned.

 

Alicia Silverstone, George Clooney and Chris O'Donnell star in Batman & Robin.

Batman & Robin (1997)

The fourth Batman movie is among the list of the worst movies overall ever made. Nothing makes sense about the movie. Between Uma Thurman and Arnold Schwarzenegger overacting and George Clooney underacting, nothing works. Even though we’re fans of Alicia Silverstone, an “it girl” of the day, she really didn’t do much for the film, either. Most tellingly, Clooney is NOT Batman. He’s not Batman material, and he never will be. As a matter of fact, we’d venture to say that this is the reason for the Batman reboot with Christian Bale. Clooney, an OK actor otherwise, will forever be known as the man who ran Batman into the ground.

 

Jennifer Garner stars in Elektra.

Elektra (2005)

If you can watch a trailer and nothing in those 30 seconds makes you want to watch a movie, you know it’s doomed to fail before it even gets started. That’s the case with Elektra. Jennifer Garner can’t act. That’s a fact, plain and simple, and she looks nothing like the Marvel character whatsoever. So, Elektra was a waste. And you know Hollywood knows it because there hasn’t been a sequel. At least she and her husband, Ben Affleck, have something in common: Both starred in bad comic movies.

 

Teenage Mutant Ninja Turtles 3 was released in 1992.

TMNT 3 (1992)

We’ve covered extensively why this movie was a failure on all fronts, but it bears repeating: The movie sucks. It has nothing to do with the Teenage Mutant Ninja Turtles in any way, shape or form. Lyndsey really did sit through the movie in theaters in 1992 when it was released and at no point in the first 20 minutes did she think she was in the correct movie. While we’re delighted with the return of Casey Jones in the film — after he was strangely missing in the second movie — there should have been something better for him to return to.

 

Halle Berry, Patrick Stewart, Hugh Jackman and Ian McKellan star in X-Men: The Last Stand.

X-Men: The Last Stand (2006)

Gaming Insurrection as a whole doesn’t get mad at movies often, but X3 managed that feat about half the way through. Nonsensical plot points, altered established canon, blink-and-you-missed-it character cameos and a disjointed focus make for one of the worst comic book films ever. We’re not asking for much, but DO NOT change character backstory for the sake of a lead actor. That is a cardinal rule for movies based on established properties, and the X-Men have a well-discussed history that should not be changed in a penultimate film. We love Hugh Jackman, but no. Double no for making a relationship that never happened in the comics a prominent focus of your film. And triple no for screwing over Professor X. Director Brett Ratner should be left atop an ant mound covered in sugar for the travesty that is X3.

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Marvel character highlight #07: Magneto

Name: Unrevealed; uses the name Erik Magnus Lehnsherr

Affiliations: Brotherhood of Evil Mutants, Charles Xavier, the X-Men, the New Mutants

Special abilities: Ability to manipulate magnetism and all forms of electromagnetic energy

Background: Little is known about the origins of the master of magnetism. What is known is as a boy, he was imprisoned in the Nazi death camp in Auschwitz, Poland. Sickness and malnourishment prevented his mutant powers from emerging at that time. Though his family perished there, Magneto managed to survive. After World War II, Magneto wed Magda, and they had a daughter named Anya. When Anya was trapped in a burning building, a crowd prevented Magneto from rescuing her. Enraged, Magneto attacked the crowd with his powers. Afraid of her husband’s display of force and super abilities, Magda fled from him without telling him that she was pregnant. Magda gave birth to twins, Wanda and Pietro, and she was presumed dead. Feeling mistreated his entire life, Magneto subscribes to the theory that mutants can only be free if they enslave the rest of the human race.

Relationships: Magda (wife), Scarlet Witch (Wanda, daughter), Quicksilver (Pietro, son), Vision (son-in-law), Rogue (Anna Marie, wife in alternate reality), Charles (son in alternate reality)

First versus game appearance: X-Men: Children of the Atom

Appearance in other media: Marvel’s X-Men (NES), X-Men (arcade), X-Men (Sega Genesis), X-Men: Children of the Atom (arcade), X-Men 2: Clone Wars (Sega Genesis), Marvel Super Heroes (arcade), X-Men vs. Street Fighter (arcade), Marvel vs. Capcom (arcade), Marvel vs. Capcom 2 (arcade), X2: Wolverine’s Revenge (multiplatform), X-Men Legends (multiplatform), Marvel Nemesis: Rise of the Imperfects (multiplatform), X-Men: The Official Game (Nintendo DS), Marvel Ultimate Alliance (multiplatform), Marvel Ultimate Alliance 2 (multiplatform), Marvel Super Hero Squad (multiplatform), Marvel Super Hero Squad: Infinity Gauntlet (multiplatform), Marvel vs. Capcom 3: Fate of Two Worlds (multiplatform), Spider-Man (TV series), Fantastic Four (TV series), Spider-Man (TV series), Spider-Man and His Amazing Friends (TV series), Pryde of the X-Men (TV), X-Men (TV series), X-Men: Evolution (TV series), Wolverine and the X-Men (TV series), The Super Hero Squad Show (TV series), X-Men (film), X2: X-Men United (film), X-Men: The Last Stand (film).

 

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Otaku #06: Robotech

Mech drama in space brings back memories

Brandon Beatty, contributing editor

I decided to follow in my GI comrades’ footsteps and begin a new segment where I review animated properties, but with a little anime flavor. While I will continue to review great manga that reaches our shores, I hope that all of you will like this new addition to Otaku. For now, I give a big hearty welcome to Otaku Corner Theater where the motto is “reviewing great anime for, by, and worthy of the otaku.” (patent pending).

To celebrate OCT’s grand opening, I’m starting off with a legendary anime series that is undisputedly considered not only as essential to an otaku’s collection, but also a required piece to introduce those who are new to the wonderful world of anime. This series has not only launched the careers of well-known voice acting veterans in the anime industry, but also is well known among sci-fi anime series such as “Starblazers” and “Mobile Suit Gundam.” It’s none other than “Robotech” from ADV films.

For those who are unfamiliar with this series, a bit of background information is in order. “Robotech” is an 85-episode series produced in the 1980s by Harmony Gold USA and Tasunoko Productions, also known for Karas, G-Force, Tasunoko All-Stars vs. Capcom.

Consisting of a rich story that spans three generations, “Robotech” has mankind engaged in battle with alien space forces for control of the “Protoculture,” a mysterious and powerful energy source. The first chapter of the series focuses on the “Macross Saga,” in which Earth, recovering from a brutal global civil war finds in its possession a highly advanced warship called the SDF-I, sent from space. Upon finding the SDF-I, humanity must defend its self from the Zentradi, a warlike race whose main goal to reclaim said ship by using SDF-I’s advanced technology. In addition to this great space opera, you are introduced to the exploits of amateur pilot Rick Hunter and his mentor Roy Fokker as they and the rest of the SDF-I’s human crew battle the Zentradi through space to protect the restored battleship, but also its innocent inhabitants and Earth itself.

As an anime fan growing up in the ’80s, “Robotech” met my needs for any great space-based anime. It had heroic characters and cunning villains, and it was the first, in my opinion, to boldly fuse concept designs of vehicles and mecha. For instance, the SDF-I and Veritech fighter jets took on actual designs of a naval carrier and its fighter jets and combined them with the designs of a fighting mecha, resulting in futuristic war machines of which my favorite hero Juggie would give his “custom made” seal of approval. The Zentradi’s ship design, also impressive despite their cucumber-shaped look, displays incredible speed and firepower that is also reflected through their “battle pods” design, which consists of a cross between a metal ostrich and a gattling gun.

While ADV and Harmony Gold did do a outstanding job in remastering this series, they do deserve credit for retaining renowned voice actors. Tony Oliver and Dan Woren to reprise their original roles as Rick and Roy, respectively. I also give ADV and Harmony Gold credit for not only keeping the storyline intact, but also keeping the original music and sound effects refreshed using Dolby Digital. There’s also unseen bonus footage, ensuring that “Robotech” stands the test of time as an anime series. This means a lot to me because during my first time viewing Robotech when it was released on VHS, the tape cut off mid-play, leaving me with unanswered questions about the SDF-I and how Earth played a critical part in regard to Protoculture. However, watching Robotech Vol. 1 got me caught up, and I give ADV and Harmony Gold my highest praise for doing so. Although the “Shadow Chronicles” saga has revived “Robotech” for a new generation of otaku, the original will show its viewers how the saga started and, without fail, show the brilliance of a world-renowned animation studio.

If you would like more info on Robotech, visit the official website at www.robotech.com.

Brandon Beatty is the contributing editor of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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Strip Talk #07: What makes up heroes or villains?

Lyndsey Mosley, editor-in-chief

I’ve often wondered what makes a character a hero or a villain in comics. What makes a character “good” and another “bad”? How does the writer who creates the characters sit down and decide “I’m going to make this person evil personified” and another “the greatest hero to have ever lived.”

I’ve always wondered about those who are obviously at the different ends of the spectrum, such as Superman or Apocalypse. Superman is the embodiment of all that is good and righteous in the world of comics. He has a sense of right and what is morally acceptable in the universe ascribed to him. He can do no wrong, and he is considered the paragon of what is “All-American” and apple pie. Then you have someone like Marvel’s Apocalypse, a 5,000 year-old-mutant who is hell bent on world domination and survival of the fittest. Who came up with the idea that these two characters are the stations of their particular ideologies?

And what about the middle men, as I like to call them? Those anti-heroes who follow a fine line between good and evil? Say what you will about Magneto or Batman, but they have their points to be made about what they’re trying to accomplish, and they will accomplish it through any means necessary.

The case of Magneto is especially complex. Here you have a character based on a real figure, Malcolm X. His nemesis, Charles Xavier, is based on also real Martin Luther King Jr. Who’s to say that Magneto is necessarily a villain?

Examining the character traits of comics’ heroes and villains is an interesting bit of research for those who want to dig deep into the minds of man. Sometimes, it seems, not every case can be made for strictly good and bad.

Lyndsey Mosley is editor-in-chief of Gaming Insurrection. She ponders the nature of heroes and villains at gicomics@gaminginsurrection.com

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Animated property review: X-Men The Animated Series

X-Men the Animated Series Vol. 1  |  Buena Vista Home Entertainment, 2009

X-Men origins told correctly

If there ever was a quintessential property in the 1990s of comic book origin, it’s X-Men the Animated Series. The Fox staple in the early part of the decade was a great excuse to get up on a Saturday morning to watch cartoons. It also was a great learning tool for those who didn’t know much about the X-Men and wanted an introductory course to the famous mutants.

What we love about the series is the fact that it takes itself seriously. It told stories just as the comic book version told them 10 years before, and it’s pretty close to the origin stories with only minor changes. Our only gripe with some of the episodes in the first volume is the brevity of the story arcs. Sagas such as Days of Future Past and The Cure are told in one or two episodes, something that isn’t normally be done in the comics. However, some are revisited in later seasons of the show, so that can be forgiven.

The production values of the Animated Series, for its time, were top-notch. The writing was superb, and the coloring and drawing were extraordinary for a cartoon production. Few series, with the exception of fellow Fox production Spider-Man, could match what the Animated Series brought to the table in terms of visuals and storytelling. The first volume sets the pace with Night of the Sentinels, and it’s obvious that care is taken with characters and their backgrounds. Most characters are true to their history and those who have been re-established for the Animated Series are well done and not out of place (i.e. Morph).

The voice acting is another standout established within the first volume. The characters all sound like they should, and it is this first set of episodes that established the standard for future X-Men voice acting projects for the next 17 years. The best example: All X-Men characters used in Capcom’s versus series through Marvel vs. Capcom 2 were voiced by their Animated Series actors.

The first volume of the Animated Series hit DVD in 2009, a welcome addition to any X-Men fan’s collection. The first 16 episodes encompass the two-disc set and were only $20 at the time of purchase. That’s a bargain for well-crafted X-Men stories in a series known for its technical prowess that seemed to take forever to come to DVD.

How we grade

We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Voice acting: 10/10

Plots: 8/10

Like the comics?: 8/10

Overall rating: 26/30 or 8.6

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Strip Talk #06: A few things I need from comic book flicks

Lyndsey Mosley, editor-in-chief

There are a few things I need from my comic book and cartoon-adapted movies. Without them, the movie’s not going to work and it won’t be worth the film it’s recorded on. These are my pet peeves when it comes to retelling the story of an established property. Producers, please take heed. If I can’t watch it, chances are the other average Jane Blows of the world can’t, either.

An undercooked plot: I’d love it if my characters have a purpose for what they’re doing. Give me a reason why the hero is doing what he’s doing and the villain’s main point early in the movie, hit plot points with decent pacing and wrap it up. Throw in special effects if you have to but make it secondary to the central plot.

Changed plot points: Writers need to read this bullet point, especially. The properties that were entrusted to you have been so for a reason. They were made famous enough to make a movie based on them for a reason. Let it be and work with what you’ve got. Do not change the reason for a villain’s established motive for revenge. It will not work. Very few comics have been able to do this and get away with it. If you can’t come up with a good reason to change the character’s purpose, don’t make the change.

Character appropriate actors: Casting is an important part of making a movie work. Do not choose an actor who has no resemblance to the established character. For instance, Thomas Jane was a poor choice for the Punisher but Ray Stevenson was excellent. Why? Because Stevenson looked like someone who would do the things Frank Castle was pushed to do. Tobey Maguire worked as Peter Parker/Spider-Man because he had the earnestness of Parker and the quick wit of Spider-Man down to a science. The actor or actress need to be believable in a movie that works on a property that requires you to suspend disbelief the entire time.

Tell the tale with enough villains: I can’t stress enough that villains need to be kept at a minimum to preserve story integrity. If they aren’t, you start running into the problem of too many villains, or what I like to refer to as “’Batman Returns syndrome.” Too many villains screw up the pacing of the film. Inevitably, there will be too many big names scratching for screen time and someone, probably the hero, will get the short end of the stick.

“Spider-Man 3” had this problem, and it’s one of the few times that I can’t say I enjoyed a film featuring my favorite villain: Venom. A flick that stands as a shining example of how to do multiple villains correctly is “Dark Knight.” The Joker and Harvey Dent/Two Face work well, and I loved how the pacing was handled. That’s how you introduce villains effectively and tell their stories.

If you’re going to make a successful film based off of established properties, at least take the time to care about the produced final product. It means the difference between a poor adaptation — “Elektra,” “Daredevil,” “Punisher” we’re looking at you — and something spectacular that stays at the forefront of the genre. “Dark Knight,” we salute you.

Lyndsey Mosley is editor of Gaming Insurrection. She can be reached at gicomics@gaminginsurrection.com

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