The light at the end of the Death Note tunnel is clear
Light, Light, Light. I keep finding more reasons for confining Mr. Yagami to a high-level mental health facility than having him in ANY level of employment in public safety. Throughout the entire series reviewing this manga series, the question of “How can one justify killing innocent people in order to make a better world,” keeps popping back in my head, with no credible answers.
Volume 11 begins with Light, Misa and the task force headed back to Japan to avoid capture by Near, the SPK and Mello. Light’s return to Japan provides him breathing room to set up his plans in controlling the Kira investigation and control Mikami’s movements as Kira. However, Near correctly deduces Light’s escape to Japan and follows suit to capture Kira in his own domain, using Hal Linder as a potential member of Kiyomi Takada’s female security team. At the same time, Misa is asked by Yoshida Productions to perform at the annual New Year’s show. Once Near arrives in Japan, he contacts Light to inform him that he is also in Japan to lure Kira out of hiding. Both L’s decide to use that call to begin preparations for their final plans to battle each other.
Further in the story, Light continues to use Takada to his advantage by exchanging written notes to avoid detection by the task force and communicate with Mikami. Takada is OK with the plan, but she began her own plan to secure her position with Light by asking Misa to join her for a late dinner. At the dinner, Mogi and Linder are present, but Linder was ordered by Takada to stand by in case Misa got belligerent. For the sake of time, I’ll say that the dinner didn’t not go well. Meanwhile, another SPK agent named Gevanni starts his stake out of Mikami and has noticed that he has killed a subway passenger for harassing a female passenger without using the Death Note. Acting on Gevanni’s report, Near and Rester began the final stages of planning to capture Kira/Light.
At the New Year’s show, Takada announces that Misa has not yet arrived, forcing Light and the task force to search for her and Mogi. At that moment, Near contacts Light stating that he has taken Misa and Mogi into protective custody. Light, inwardly enraged, acts concerned in front of the task force by telling Misa and Mogi that they are free to leave at any time they want.
At the same time, Gevanni follows Mikami to a local gym and was able to touch the Death Note that was in Mikami’s brief bag. With Gevanni’s report, Near decides to make a replica Death Note and set the date, time and place for the final battle: a warehouse near Daikoku Wharf in Yokohama. On the day of their meeting, Takada arrives at NHN Studio for her news program when Matt arrives firing a smoke grenade at Takada. While the security team surrounds her, Mello, disguised as a motorcyclist worshipper of Kira, tells Linder to place Takada on the bike. When Takada is on the bike with Mello, Linder has two security units to follow them while the remaining security team goes after Matt. When Takada was out of danger, Mello ignored requests from the security detail to hand her over to them and escapes into a narrow alley with Takada as his prisoner.
This volume is a nice way to setup a climatic end for the series. Every detail from artwork to storyline was strong enough to create their own impact without losing plot focus. I applauded the chess-like moves that Light and Near employed with Swiss clock-like precision in each of their plans giving them flexibility in each situation. Also, the development for each character was not stale, especially for Misa, Takada, and Linder, who all got equal scene time in each chapter. I found the dinner scene with Misa and Takada hilarious when Misa tells Takada that she and Kira will be killed when he is captured, and Takada counters with host authority of the New Year’s show to prevent Misa’s engagement to Light. Also, Linder was featured in superb multitasking as a most trusted bodyguard while being a double agent and referee between Kira’s two suitors. Ohba-san and Obata-san again showed their mastery in creating a worthwhile series. Credit is also owed to Tetsuichiro Miyazi, who performed adaptation and translation duties.
This is it. The battle that we waited for, dear readers, is here. L’s heirs and Light Yagami fighting to the death, not for praise but intellectual superiority. As I ready myself to write the final review of Death Note, I cannot find any reason why I should not re-read this series or re-watch the anime. Do shinigami really exist? Only time will tell. I can offer this analysis, though: A battle of anime and manga’s most intriguing intellectuals will end, with ONLY one left standing.
Brandon Beatty is associate editor of Gaming Insurrection. He can be reached by email at brandonb[at]gaminginsurrection.com