Otaku #03: Death Note Vol. 2

Death Note Volume 2 fills out its pages with interesting twists

Brandon Beatty, contributing editor

Previously in Otaku, I reviewed the manga Death Note, which tells the story of high school ace Light Yagami who finds a death note, a notebook with the power to kill anyone whose name is written in it.

Light, learning of the death note’s powers, decides to use it to kill off criminals. However, when criminals worldwide start dying simultaneously, the authorities send in L, a legendary detective to track down the killer. In volume two, the battle between Light aka “Kira” and L rages on when Light uses Kirchro Osoreda, one of his reserved criminals to lure out Raye Pember, a member of the FBI team sent to Japan at L’s request to investigate members of the NPA’s Kira Task Force who are suspected of leaking information on Kira. When Osoreda dies and Pember’s identity is known, Light quickly hatches a plan which results in not just Pember but all of the FBI agents in Japan dying simultaneously. As a result, L is forced to not only reveal himself, but also to rely on the remaining six members of the NPA task force, including Light’s father.

Death Note Vol. 2/Photo courtesy of Amazon.com

At this point in the story, I’m still in awe of how Light has evolved from a model high school student to an individual of pure evil, who believes that his actions are shaping a better world. He proves this when he kills Naomi Misora, Rayes’ fiancé and a former FBI agent who was close to revealing Light as Kira. As volume 2 continues, L, now going by the name Ryuzaki, is not out of the battle yet by providing the task force with fake police IDs in addition to making his hotel room the secret HQ for the Kira investigation.

Suspicious that Kira can still access classified information from the NPA, Ryuzaki increases the psychological warfare by placing a hidden camera and listening devices in the final two homes Pember was investigating where the Yagami family are suspects. Light, in the final pages of volume two, discovers that he is under surveillance and hatches a plan to counter Ryuzaki’s efforts using Ryuk to find the cameras. Readers picking up the second volume of Death Note will not be disappointed, since Tsugumi Obata has kept the plot fresh from the start of the series. His writing has ensured that Death Note is more than a regular who-done-it mystery.

The master talents of artist Takeshi Obata will not disappoint manga otaku. He regularly successfully mixes supernatural and physical elements with few hitches. The stage is set. Two chosen people are fighting in a battle destined to be one of ages. Who will win? Stay tuned as we continue to review a supernatural mystery manga that’s taking the world by storm.

Contributing Editor Brandon Beatty can be reached via e-mail at gicomics@gaminginsurrection.com.

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Strip Talk #04: ’80s and ’90s themes are the soundtrack of my life

Lyndsey Mosley, editor-in-chief

I don’t throw the title “child of the ’80s” around often. The definition is someone, like myself, that was born between the years 1975 to 1986 that remembers the pop culture of the era because they lived through it. Myself? I am a quintessential child of that time. I remember WWF, Transformers, G.I. Joe, My Little Pony, Cabbage Patch Kids, Rainbow Brite, Jem and the Smurfs well. I got up on Saturday mornings to watch most of those shows and when I got home from school it was TMNT, Ducktales, Darkwing Duck and the USA Cartoon Express all the way. So, why are we rehashing all of these titles? Simple: They had some of the best intro themes of all time.

Don’t get me wrong, the ’90s had some great stuff, too. X-Men the Animated Series, Fox’s Spider-man, Doug, Goof Troop. All are great shows with excellent introductions. So what is it about this these two periods of animated television? Was it because I was young and in-tune to music through chorus at school? Possibly. But more likely it’s the fact that this was the golden age of animation, a time when good cartoons were routinely introduced with flair, savvy and a well-sung introduction that told you everything you needed to know about the show.

That’s the crux of why this was such a good time for animated television. Take, for example, Transformers. Everything you ever needed to know about the Autobots and Decepticons, their battles and their affiliations were told in 30 seconds through singing. Same thing with Ducktales, Powerpuff Girls and TMNT. Sometimes you didn’t even need singing to tell the story. X-Men’s instrumental intro famously showed the principal cast and the fight of mutant kind.

As a child of the ’80s it was hard not getting up to see many of these shows every morning while getting ready for school. Now, it’s hard as an adult not to tear up when I hear the instantly recognizable themes of my childhood past. Thanks to YouTube, I’ve found I’m not the only one wishing for the return of the golden age of cartoons. The ’80s and ’90s were the gold standard for hooking an audience into a show that may or may not have shapeshifting robots, teenage mutant ninja turtles or racecars, lasers, airplanes to spin in Duckburg. I look forward to the day when I have a child old enough to understand and appreciate the era that mom learned about good animated television.

Lyndsey Mosley is editor of Gaming Insurrection and a proud self-proclaimed child of the ’80s. You can contact her via email at gicomics@gaminginsurrection.com

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Marvel character highlight #04: Juggernaut

NAME: Cain Marko

AFFILIATION: Brotherhood of Evil Mutants, X-Men

SPECIAL ABILITIES: Unstoppable force once moving, superhuman strength, endurance and immortality through the gem of Cyttorak.

BACKGROUND: Cain Marko became part of Charles Xavier’s family through the marriage of his father and Xavier’s mother. Cain bullied Charles at any opportunity because of several factors, including the fact that his father was abusive and because Cain was jealous of Charles’ success and intelligence. Later, Cain joined the army and was sent to Korea. It was here during an expedition that Cain stumbled upon the Gem of Cyttorak, an artifact of a lost civilization. Upon reading the inscription, Cain was transformed into a living avatar of the gem. He was lost in a cave-in shortly after that took years for him to dig his way out of. The gem, however, sustained him. He has no need of food, water or oxygen. He is immortal and once moving is an unstoppable force through the magic of the gem. He is not, however, a mutant. According to classified documents on the X-Men adversaries, Cain is a mystical being and avatar of a god. He has menaced the X-Men since though in alternate universes such as the Age of Apocalypse, he has been part of the group that he hates with all of his being. Juggernaut is also known as a freelance worker for hire, sometimes teaming with Black Tom Cassidy or working with the Brotherhood of Evil Mutants.

RELATIONSHIPS: Charles Xavier, stepbrother. David Heller (Legion), uncle.

FIRST VERSUS GAME APPEARANCE: X-Men vs. Street Fighter

APPEARANCES IN OTHER MEDIA: Marvel vs. Capcom (arcade), Marvel vs. Capcom 2 (arcade), X-Men Legends (PlayStation 2/Xbox), Marvel Ultimate Alliance (Wii/Xbox 360/PlayStation 3), X-Men the Animated Series (television), X-Men: The Last Stand (film), X-Men Legends II: Rise of Apocalypse (PlayStation 2/Xbox), X-Men: Next Dimension (Xbox/PlayStation 2/GameCube), X-Men: Evolution (television), Wolverine and the X-Men animated series (television), Spider-Man & The X-Men in Arcade’s Revenge (SNES), Uncanny X-Men (NES), X-Men (arcade), Marvel Super Heroes (arcade).

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Top 5 list: Best mutant powers edition

Superman/DC

Superman
Invisible force field aura

As the Man of Steel can attest, his force field is just that: a coating of steel. It takes a lot to harm the blue-and-red savior of Metropolis and mostly what can hurt him is not of Earth. His natural Kryptonian invisible aura has saved his life on more than one occasion.

 

Nightcrawler/Marvel

Nightcrawler
Teleportation

The blue devil-looking X-Man of Marvel teleports himself and others by accessing another dimension. Just the fact that he can access this “other place” negates the supposed rotten egg smell that is associated with his ability. Bampf, indeed.

 

Dr. Manhattan/DC

Dr. Manhattan
Time and molecular shifting

Created by a physics accident in 1959, Dr. Manhattan is one of the world’s most prominent superheroes. He’s also able to  see the past and the future relative to him, and he can create or destroy on a molecular level. Blue-skinned, hot and genius-minded, Dr. Manhattan is DC’s Cronos.

 

Apocalypse/Marvel

Apocalypse
Molecular shifting

Even though the Marvel villain has altered the future and the past on many occasions, Apocalypse is still awesome. His ability to shift his mass and size at will makes him one of the world’s most dangerous if not unbeatable foes. His mutant ability has also allowed him to live for more than 5,000 years.

 

Charles Xavier/Marvel

Charles Xavier
Mind reading

The smartest man in the world and an omega-level mutant, Professor X ’s intelligence and mind-reading ability make him a great ally for peace and a beyond-dangerous foe if he ever went evil (read: Onslaught).

All photos courtesy of the Marvel and DC Wikia sites

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Marvel character highlight #03: Sentinel

NAME: Sentinel

AFFILIATION: Sentinel program

SPECIAL ABILITIES: Mutant tracking

BACKGROUND:  Scientist Boliviar Trask, as a way to stop the perceived mutant threat to humanity, created the original Sentinels. Trask received government-funds to research his work into eliminating mutants and this was the Sentinels prime objective. Trask was invited to debate Professor Charles Xavier, one of the world’s strongest mutants, in a televised debate on mutant-human relations. Trask remained unconvinced of the lack of threat most mutants posed and revealed his Sentinels to the world. The robots then kidnapped Trask and took him to their leader, Master Mold, where Trask was directed to create more.

Eventually, after Trask was given a mindscan of the X-Men who came to rescue him, he realized that mutants were peaceful and that the Sentinels had to be destroyed.

Trask then sacrificed his life to stop the Sentinels and Master Mold in a massive explosion. Other Sentinels have been created and reprogrammed by numerous people including Sebastian Shaw of the Hellfire Club, Bastion, Cassandra Nova and Apocalypse.

RELATIONSHIPS: Boliviar Trask (creator), Larry Trask (creator), Bastion, Nimrod, Master Mold (leader)

FIRST VERSUS GAME APPEARANCE: X-Men: Children of the Atom

APPEARANCES IN OTHER MEDIA: X-Men: The Last Stand (film), Marvel vs. Capcom (arcade), Marvel vs. Capcom 2 (arcade), X-Men (arcade), X-Men the Animated Series (television), Spider-Man the Animated Series (television), X-Men: Evolution (television), Wolverine and the X-Men animated series (television), X-Men: Mutant Apocalypse (SNES), X-Men Legends (PlayStation 2/Xbox), X-Men: The Official Game (PlayStation 2/Xbox), X-Men Origins: Wolverine (PS3/Xbox 360), X-Men Legends II: Rise of Apocalypse (PlayStation 2/Xbox), X-Men: Next Dimension (Xbox/PlayStation 2/GameCube)

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Top 5 List: Most useless villains edition

Every villain has a uselessness level. On a scale of 1 to 10, if you make good on your master’s plans and actually accomplish the death of a superhero, you’re closer to 1. If you can’t get the job done, you’re moving a little higher on the scale. And trust us, both comic powerhouses have a few on the higher end.

Locomotive Breath/Marvel

Locomotive Breath (Marvel)
Fought: War Machine
Useless level: 6
With a name like Locomotive Breath, it’s only a matter of time before you have put up or shut up. He did neither and that’s why he only appeared in two issues before disappearing back into obscurity. He may have been an Eternal but, really, his name stops any serious discussion about misdeeds cold.

DeSaad/DC

DeSaad (DC)
Fought: Superman
Useless level: 1
As the right-hand man to Man of Steel arch nemesis Darkseid, DeSaad actually did some pretty nasty deeds in the name of evil and his master’s wrath. If he’d only broken off a little sooner, he could have avoided the beatdown Darkseid liked to inflict for failure. Otherwise, DeSaad was a bad man that played both sides of the coin when it came to the chance for more power.

Quintesson/Marvel

The Quintessons (Transformers)
Fought: Autobots and Decepticons
Useless level: 3
More annoying than useless, the Quintessons were actually dangerous. They served as the judges, jury and executioners for the warring factions that used to live on Cybertron. If you want to see the extent of their usefulness, watch the 1986 animated movie. They weren’t too bad there and actually served a purpose such as condemning everyone to die.

Silvermane/Marvel

Silvermane (Marvel)
Fought: Spider-Man
Useless level: 4
Silvermane is actually kind of cool. He employs a bionic body, aging and de-aging abilities and takes on Kingpin for control of his criminal empire. Because of his age, he takes on his criminal name. Not bad, old-timer. Not bad.

Edgar Plunder/Marvel

Edgar Plunder (Marvel)
Fought: Captain America
Useless level: 7
OK, the name is a keeper but he was still useless. If you’re going to fight Captain America at least have the sense to do something amazing. But he hasn’t. He’s done nothing remarkable other than have an impersonator that was killed by the Punisher. Boring. Who hasn’t been killed or threatened by the Punisher?

All photos courtesy of the Marvel and DC Wikia sites

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Comic property review: ‘300’

Photo courtesy of Warner Bros.

Hot, sweaty, loud: ‘300’ gets it right

‘300’

Warner Bros., 2007

You don’t have to know much about the ancient Greek Battle of Thermopylae to enjoy what Frank Miller’s 300 has to offer. You also don’t have to have a lot of testosterone or Y chromosomes to enjoy the slick visuals, fight scenes or lack of clothing that the Spartan faithful wear. This isn’t a particularly deep film but it doesn’t aim to be. It aims to be loud, cool and sweaty. And that’s exactly what you get in the comic book adaptation directed by Zack Snyder.

300 has been faithfully recreated frame by frame by Snyder, the illustrious comic book screen master who has brought forth visions such as The Spirit and Watchmen. 300 was one of his first attempts to bring a comic to life and it’s well done. Because Snyder doesn’t stray too far from the source material, everything has a grimy comic sheen draped all over it. The comic book goop the film is mired in doesn’t betray the direct lift of material; it actually enhances the beauty of the visuals. This film is undeniably gorgeous and it knows it. Even the green screen material doesn’t detract from the beauty of the film. Usually it’s obvious that folks are employing it in a scene but 300 more than covers its tracks and has a grand time doing it.

Also gorgeous are the various actors that make up the principal cast. The abs are fabulous, hair is perfectly coiffed and no one is out of shape or unable to fight. The beautiful people of the world apparently all fought in the Spartan army against the god king Xerxes and only one lived to tell the tale. That previous comic book sheen comes full circle in many of the visual elements, and the folks who kill the Persian army in stylized sequences featuring no less than six gruesome deaths are no exception. The History Channel was actually heavily involved in the costuming phase of the production and that attention to detail is evident throughout.

The actors themselves aren’t bad. While I’d not believe them as Greeks, the enthusiasm that comes across on the screen is infectious. No one phoned it in here and the dramatic portions are appropriately heartbreaking.

There isn’t much to dislike about 300. A small quibble is that the pacing makes it drags near the end. While the end battle is appropriately melodramatic and wrought with tension, it was a little too drawn out. As Elvis once recommended, a little less conversation would have been nice.

We’re action buffs and 300 definitely satisfied that need. Besides, the many quotable scenes such as “This is Sparta!” more than make up for the dragging of feet at the conclusion. 300 has earned its rank among great comic adaptations and action movies alike.

How we grade
We score the properties in three categories: Casting (or voice acting in the case of animated), plot and similarities to its source material. Each category receives points out of maximum of 10 per category, and 30 overall. The percentage is the final score.

Casting: 8/10
Plot: 8/10
Like the comics?: 10/10
Overall rating: 8.6

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Strip Talk #03: ‘Stupid smart’ villains livened up ’80s and ’90s

Lyndsey Mosley, editor-in-chief

“Sayonara, shell-backed simpletons.”

With that one sentence from season three of the Teenage Mutant Ninja Turtles 1987 animated series, I was hooked on the legendary Oroku Saki. Everyone who was anyone in the late ’80s and early ’90s knows him as Shredder. I knew him as genius. Well, that is until he employed Rocksteady, Bebop, Baxter Stockman, the Punk Frogs, etc. on a regular basis. The list goes on and on of his failed attempts at finding competent criminal help in New York City, and as a TMNT diehard, I was inclined to bask in his lack of success in taking down my four favorite dudes with attitudes. Shredder is a prime indicative of what we at GI have come to term as “stupid-smart” villain syndrome.

Despite his genius IQ, as it was brilliantly displayed by Fresh Prince of Bel-Air actor and voice actor James Avery, Shredder was just the latest in the long list of villains who could cunningly devise plans and then ruin them with some of the stupidest behavior known to man. Some of the luminaries on this bumbling list? Gargamel from the Smurfs, Cobra Commander from GI Joe, Starscream and Megatron from Transformers, Dr. Claw from Inspector Gadget, Wily E. Coyote from Looney Tunes, Flintheart Glomgold from Ducktales and Skeletor from He-Man. For these super villains it’s not enough to have their greatest adversaries in their sights. They have to find a way to mess themselves up generally because of greed.

Take for example, Starscream and Cobra Commander. Both assumed command of their respective groups (Decepticons and COBRA) after finding a way to usurp power from the original leader. Both eventually lost power when the original leader returned and highlighted their treachery and betrayal. Also, the troops under their command said it was better to be unemployed than work for them. If that’s not utter incompetence, I don’t know what is.

The villains of the ’80s have a lot in common: Smart, well read, articulate geniuses who could do anything they wanted, limited only by their hired help. It’s this lack of attention to detail that presents a challenge when selecting the greatest villain of this age.

Lyndsey Mosley is editor of Gaming Insurrection. Contact her by email at gicomics@gaminginsurrection.com


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Otaku #02: Eagle

‘Eagle’ takes prophetic look at United States political process

Brandon Beatty, contributing editor

Eagle is a series with clairvoyance. No one could have known that it would predict President Barack Obama’s election eight years after it was published. In 2000, author Keji Kawaguchi, best known for his best-selling graphic novel “The Silent Service,” which goes into detail about the post-Cold War era, wrote a story about the 2000 U.S. presidential election. It evolved into what we know today as Eagle:The Making of an Asian-American President.

“Eagle” was originally introduced in “Big Comic,” one of Japan’s biggest manga magazines and simultaneously published by Viz Media. It focuses on Japanese journalist Takeshi Jo, who after dealing with the tragic loss of his mother, is assigned by his newspaper to go to Washington, D.C., to cover New York Sen. Kenneth Yamaoka, the first Asian American to run for the U.S. presidency. In the first chapter readers are introduced to Takeshi and his back story involving him and his mother and his search to find the U.S. Marine that is his father. The second, third and fourth chapters reveal more about Sen. Yamaoka.

Cover of the manga Eagle

Photo courtesy of Amazon.com

Yamaoka reveals to Takeshi that he is, in fact, Takashi’s father, which forces Takashi to be more involved in the story than he bargained for.

While reading Eagle, I gained a new and powerful perspective on how U.S. politics are conducted beyond regular print and TV headlines. At the same time, Kawaguchi has captured both possible scenarios of the 2000 and 2008 U.S. presidential campaigns that manga fans and non-manga readers will enjoy.

Will Kenneth Yamaoka become president? Can Takashi Jo manage both an irresistible career opportunity and a shaky family connection to the man who could be the first Asian American to lead the free world?

These questions are inevitably answered in future editions.

Brandon Beatty is contributing editor of Gaming Insurrection. Contact him by e-mail at gicomics@gaminginsurrection.com.

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Top 5 list: Favorite villains edition

Magneto

Magneto – Erik Lensherr doesn’t dwell on his past as a Holocaust victim or the fact that his entire family has been wiped out numerous times. While anyone else would live a hard life because of the repeated loss and devastation, Magneto finds a way to make it his mission to move his life forward. You’ve got to give the man his due when you stop and realize that, ultimately, he’s probably right about homo sapien superior not being able to co-exist with regular humans. At least he’s got his eyes open to the inevitable. While his methods may be brutal (much like his archetype Malcolm X), he works hard at achieving what he’s set out to do.

Why we love him: Magneto will do anything to further his mission, even if it means sacrificing his children and  his life. He’s got nothing if not determination.

Lex Luthor

Lex Luthor – Superman once had nothing to do in Metropolis solely because Lex Luthor was behind bars. When you provide the majority of the work for a crime fighter you are somebody. Lex is no exception. You really know you’re something special when you can commit as many crimes as Lex, get out of jail and still win the U.S. presidential election. Lex represents what many other aspiring kingpins wish they could become.

Why we love him: Trying to kill the Man of Steel is no easy feat. Nearly succeeding in almost every instance makes you a cut above the rest.

Dr. Doom

Dr. Doom – Victor Von Doom has been the thorn in every self-righteous group of superheroes since the villain’s dawn in the 1960s. If he isn’t terrorizing the Fantastic Four to demonstrate his superiority over Mr. Fantastic, he’s stealing the Infinity Gems to make himself a god. For all of Doom’s intelligence (he’s genius level), he still has charisma. Without it he couldn’t run his own nation, Latveria.

Why we love him: He’s megalomaniacal and charming. What’s not to like to take home and meet your mama?

The Joker

The Joker – In his many incarnations, the Joker is multifaceted. It doesn’t matter if he’s the malevolent killer clown or the bumbling chemical genius; he still manages to find a way to get under the skin of Batman. Every actor who’s portrayed him — Caesar Romero, Jack Nicholson and Heath Ledger, Mark Hamill — has found inspiration in his dark and funny sides. That is the stroke of a man who really needs no explanation or introduction for his work as a criminal.

Why we love him: He’s the Joker. Eternal thorn in the side of the Caped Crusader. Need we say more?

Venom

Venom – OK, let’s just get this out there from the beginning: Venom is crazy. No, not just regular insane, but WAY out there extra special spicy insane. The symbiote didn’t know whom it was dealing with when it picked Eddie Brock to bond with after Peter Parker rejected it. Venom’s brand of logic includes killing as a means to an end. If you get in the way, you die, but he doesn’t go out of his way to harm you. That’s what we like about Venom. He’s a got a method to his madness. It’s just figuring out the method that makes no sense.

Why we love him: Did we mention he’s crazy? And anyone who says “We want to eat your brains!” as a taunt in a video game is awesome. Period.

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