Tag Archives: Retrograde

Pokemon Puzzle League — Issue 46

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Poké­mon Puz­zle League catch­es the best traits of Tetris Attack

The zenith of Poké­mon came rather star­tling and ear­ly, some­where in the heady days of 2000. After all, by then, Poké­mon was in the zeit­geist as a video game and cul­tur­al phe­nom­e­non. You could stick your arms out in any direc­tion and hit Poké­mon prod­ucts. So, it goes then, that the video game sphere received its share of the wealth after the ini­tial fer­vor wound down. At this point, how­ev­er, the Nin­ten­do 64 was on its last legs and received a few games bear­ing the Pock­et Mon­ster license. Out of that smoke arose Poké­mon Puz­zle League.

Poké­mon Puz­zle League isn’t a ter­ri­ble use of the license. Sure, it’s gra­tu­itous Poké­mon every­where, but it’s not a bad puz­zling game in gen­er­al. The premise is sim­ple: Take what you already know about Tetris Attack and slap Poké­mon on it. That’s all Poké­mon Puz­zle League is, and since Tetris Attack isn’t ter­ri­ble either, Puz­zle League ben­e­fits from a sol­id foun­da­tion. The mechan­ics remain the same except there’s Poké­mon involved, and the Poké­mon don’t real­ly affect any­thing beyond aesthetics. 

Poké­mon Puz­zle League feels like a Tetris Attack clone ought to feel. The puz­zling mechan­ics are tight and quick move­ment is clean and pre­cise, even with the wonky N64 con­troller. This is one of the first Tetris Attack clones pro­duced, but it car­ries on the tra­di­tion of tight, good puz­zling game­play well. There is a boun­ty of modes to play, includ­ing stan­dard 2D and 3D line clear­ing, a 1P sta­di­um mode and ver­sus. The vari­ety makes for a good rol­lick­ing time and fills up play­time with qual­i­ty offer­ings. And, I’d be remiss if I did­n’t say some­thing about the dif­fi­cul­ty lev­el. If you’re not pre­pared and don’t under­stand the mechan­ics of Tetris Attack, you will get wrecked even on the easy lev­el. The AI does not play around and while it’s part of the charm of Puz­zle League, it can be daunt­ing to have to replay lev­els mul­ti­ple times on Nor­mal or even Easy dif­fi­cul­ty lev­el because the AI caught a lucky break.

But what you came here for, let’s be hon­est, is the Poké­mon pre­sen­ta­tion. Thank­ful­ly, this is the draw. It’s a buf­fet of Poké­mon-dom, with all of the ani­me favorite char­ac­ters thrown in as well as the main gym lead­ers and Elite Four from the games at high­er dif­fi­cul­ty lev­els. The Poké­mon rep­re­sent­ed here are all using the 4Kids voice­work and the ani­me art­style, so hope­ful­ly you like the ani­me enough that you don’t mind that it’s based on the Poké­mon Orig­i­nal Series gen­er­a­tions. The sound­track is appro­pri­ate­ly Poké­mon, which means the music is good. There are a few bangers on the sound­track that make it a must down­load, includ­ing most of the Team Rock­et themes, Lorelei’s theme, and Pro­fes­sor Oak’s theme. Despite this being car­tridge-based, Puz­zle League does­n’t skimp on the sound quality. 

Poké­mon Puz­zle League is a joy to learn and get seri­ous about even if you remote­ly like Tetris Attack. It’s got the Poké­mon aes­thet­ic from the suc­cess­ful ani­me and hand­held games, a nice Poké­mon-cen­tric sound­track and a fun, chal­leng­ing puz­zle mechan­ic that’s beg­ging to be explored. If you love Poké­mon and puz­zle games, cast your Mas­ter ball out to catch this one.

Demon’s Crest — Issue 46

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Fire­brand reigns supreme in ghoul­ish, ghost­ly, fiendish romp

Cap­com is known for its glob­al­ly renowned ros­ter of video game char­ac­ters. From Mega Man to Neme­sis, these char­ac­ters have cement­ed their lega­cy. Fire­brand, the red demon of death that is on that renowned ros­ter, made his bones and shows up to show out in Cap­com’s Demon’s Crest (no, not the dev­il’s toothpaste).

In Demon’s Crest, you take the role of the fire-breath­ing, head-butting hero Fire­brand through six stages as he tries to recov­er mag­i­cal crests, which are arti­facts with con­trol of the ele­ments and time. Accord­ing to Demon’s Crest leg­end, when these items fell into the demon world, a civ­il war erupt­ed with Fire­brand as the vic­tor claim­ing the crests of Earth, Fire, Wind, Water and Time. Fire­brand fought anoth­er demon named Somu­lo, who held the crest of Heav­en, and secured a vic­to­ry over the rival demon. How­ev­er, anoth­er demon named Pha­lanx attacked Fire­brand while he had low health, tak­ing pos­ses­sion of all the crests. This allowed Pha­lanx to sum­mon anoth­er crest that con­trols infin­i­ty. While Fire­brand recov­ered, he was impris­oned in an are­na guard­ed by the revived Somu­lo. After defeat­ing Somu­lo, Fire­brand begins his quest for vengeance and recov­ery of his well-earned spoils of war. 

Game­play is a com­bi­na­tion of plat­form­ing and Japan­ese RPGs mixed with ele­ments from Castl­e­va­nia and Metroid. Fire­brand has the usu­al plat­form­ing moves such as run­ning, and jump­ing, but can climb walls, tem­porar­i­ly float, and launch pro­jec­tile attacks with the help of the Fire crest. Fire­brand can pick up var­i­ous powerups from fall­en ene­mies to increase health and attacks in addi­tion to col­lect­ing coins to pur­chase for var­i­ous items found in shops through­out the demon realm. I also love that Fire­brand has some allies: Phora­pa, a demon who sell potions with var­i­ous abil­i­ties; Mal­wous, a demon that tells Fire­brand the secrets of tal­is­mans found from the human realm; and, Morack, who sells mag­ic spells to boost Fire­brand’s arsenal. 

The con­trols are sim­ple, yet require some nuance to remem­ber all of Fire­brand’s abil­i­ties. The fact that Cap­com decid­ed to take a fresh approach on the plat­form­ing instead of mak­ing anoth­er Ghosts n’ Ghosts was a wise choice to make here. The music fits the theme of each stage and main­tains the theme of the stage well. And much like the music, the graph­ics also won me over for the col­ors and artistry, espe­cial­ly when played on a mod­ern television. 

While I love most parts of Demon’s Crest, there are some not-so-good nit­picks to make. Cer­tain stages where per­fect tim­ing is need­ed to land on float­ing plat­forms across killer obsta­cles are annoy­ing. The pre­ci­sion isn’t there and it’s frus­trat­ing to attempt it mul­ti­ple times. Anoth­er strike comes when you play the bonus game. You must time your head-butting attack against demon skulls in a Whack-a-Mole-style game with a time lim­it. Con­sid­er­ing that if you lose, you also lose mon­ey, this is a prob­lem with the in-game econ­o­my. It makes you not want to play the mini-game at all. I also had issues with the Mode 7 view in Demon’s Crest. Although awe­some most of the time you use it in nav­i­gat­ing the demon realm, it weird­ly affects your vision if you fly around for a pro­longed time. 

Demon’s Crest comes from Cap­com’s attempt to do some­thing new and excit­ing. Ush­er­ing in a new era of plat­form­ing and hop ‘n bop action was Cap­com’s agen­da and it paid off. In the case of Demon’s Crest, they under­stood the assign­ment and passed.

Harvest Moon (SNES) — Issue 45

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Farm­ing life begins with
SNES sim­u­la­tor classic

Leav­ing every­thing behind and tak­ing up the life of a farmer does­n’t seem to be half bad. Sure, it’s back-break­ing daunt­ing work with a large reser­voir of poten­tial fail­ure. But it’s hon­est work and high­ly sat­is­fy­ing. Or, at least that’s what Har­vest Moon wants you to believe. In a tale as old as video game time, the orig­i­nal farm­ing sim­u­la­tor wants you to live that life and suc­ceed, no mat­ter the cost.
Har­vest Moon’s orig­i­nal entry is the stark­est of all in the series. You, the name­less farmer, are tasked with rebuild­ing the fam­i­ly farm and prop­er­ty. There are ani­mals to raise, crops to nur­ture and sell, and — if you play your cards cor­rect­ly — a fam­i­ly to start. You have rough­ly a year to do this before your par­ents come back and judge your efforts. If you’ve suc­ceed­ed most­ly, you’re in the clear. If not, well, you’ve failed and it’s game over. This is the basis for the series that you see today in Har­vest Moon and Stardew Val­ley, and though most­ly unchanged in basis, it’s sim­ple and effective.
The depth comes in learn­ing the game sys­tem. Crop nur­tur­ing and ani­mal hus­bandry are not easy, but once you’ve got the nuance it’s a whole new world of prof­its. The con­trols are sim­ple to pick up and once you’ve built your­self up sta­mi­na-wise, the fruits of your labor are obvi­ous. There’s some­thing super sat­is­fy­ing about work­ing the land, plant­i­ng crops and car­ing for your ani­mals in a day’s work and then reap­ing the ben­e­fits. There is plan­ning involved also, which adds an extra lay­er of depth. Know­ing how to spend your day wise­ly — whether it be tend­ing to the farm or social­iz­ing in town — is impor­tant, and adds to the over­all experience. 
Part of that expe­ri­ence is the pre­sen­ta­tion, and it’s not bad for a SNES game. Giv­en that this is 16-bit, the sprites are bright and pop with the gor­geous SNES palette. Some areas are a lit­tle too brown but over­all, it’s a pret­ty game. The music is slight­ly monot­o­nous but it’s a lit­tle catchy so it does­n’t nec­es­sar­i­ly grate the way you’d think hear­ing the same tune would for more than 20 min­utes of farm work and socializing.
Because this is the entry point to the mod­ern series, Har­vest Moon has work to do. Time — though not explic­it­ly shown on screen — runs too quick­ly. Also, the start­ing hand­i­cap of low sta­mi­na and mediocre tools is not fun. This does become eas­i­er in lat­er entries, but this frus­trat­ing mechan­ic began here and does not enhance the series in any way. 
Despite some frus­tra­tions with the game, it’s a nice, relax­ing start to a fun, quirky series. Mod­ern fea­tures may be a draw for the lat­er games, but don’t let the orig­i­nal fool you. There’s a won­der­ful life to be had even in the 16-bit starter.

Columns — Issue 45

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Columns stacks up against Tetris juggernaut

As the faith­ful read­ers of GI know, I’m a child of the ’80s and ’90s. I owned an NES, Gen­e­sis and a Game Gear, but not a Game Boy. To sat­is­fy my portable gam­ing needs, I got a few Game Gear games that would hold my atten­tion. I’m not much of a puz­zle man, but one stood out as an alter­na­tive to the high­ly pop­u­lar Tetris at the time: Columns.
Columns’ game­play is sim­i­lar to Tetris, except that you’re match­ing var­i­ous gems with each oth­er before their row known as — you guessed it — columns stack up, ulti­mate­ly end­ing your game. The game back­sto­ry claims that its ori­gins hails from Mid­dle East­ern mer­chants with also a lit­tle bit of Greece mixed in. 
Con­trol of the columns is sim­ple: Guide the columns’ rows and arrange pieces to fit. It’s a sim­ple con­cept that is quick­ly under­stood. You can be a new­bie or a puz­zle expert and still jump into play­ing. There’s also an option to change the items from jew­els, to fruit, dice, or tra­di­tion­al play­ing card suits, which livens up the game­play slightly. 
The graph­ics are top-notch in both ver­sions. The graph­ics are col­or­ful and more than just bricks being moved around. They look good even in a small set­ting like the Game Gear. 
The music in Columns varies from ancient Roman tunes to a futur­is­tic beat that is calm­ing dur­ing game­play. The sound­track is a nice men­tal break for the mind, which helps when you’re pos­si­bly fran­ti­cal­ly mak­ing matches. 
Columns is an under­es­ti­mat­ed crown jew­el that shines on all Sega sys­tems. It’s a fun alter­na­tive to Tetris with a nice calm­ing effect to boot. Hunt down this dif­fer­ent but bril­liant puz­zle choice. 

 

Build­ing blocks of Columns

In 1989, Jay Geert­sen, a devel­op­er for Hewlett-Packard, was look­ing to port a soft­ware tool to HP’s in-house oper­at­ing sys­tem for its work com­put­ers. Geert­sen believed there was a bet­ter way to learn skills and have fun at the same time. He came up with mod­i­fy­ing Tic Tac-Toe and applied it as a way to help soft­ware engi­neers prac­tice their pro­gram­ing. The result: Once they heard about Geert­sen’s work through third par­ties, Sega called him and inquired about devel­op­ment. Check out his sto­ry through this link: https://www.pressreader.com/uk/retro-gamer/20190711/281599537055264.

Beetle Adventure Racing — Issue 45

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Adven­ture of a life­time races on the scene

Smooth with no chas­er. Bee­tle Adven­ture Rac­ing is like a fine cognac: No filler, no BS. It’s just a fine rac­ing game fea­tur­ing the pop­u­lar-in-1999 redesigned Volk­swa­gen New Bee­tle. Like that cognac, it’s what you want in an expe­ri­ence, but you wish there was more at the end of the glass.
Bee­tle Adven­ture Rac­ing, while short on sto­ry, is a rac­ing dream. There isn’t much to the sto­ry oth­er than you’re rac­ing against oth­er Bee­tle dri­vers on six var­ied tracks. There are sev­er­al modes includ­ing a time tri­al, cham­pi­onship and two-play­er duel, but that’s about it. You’re also rac­ing with only Bee­tles, though they vary in col­or with dif­fer­ent stats. There are two unlock­able Bee­tles, but that’s pret­ty much all there is in terms of rewards. The depth real­ly lies in the tracks and their nooks and cran­nies. There are a ton of secrets and short­cuts that help in the point-gath­er­ing modes or to shave time in the time tri­als, and that sort of makes up for the lack of every­thing else. Sort of.
While the rewards are sparse, the pre­sen­ta­tion is not. Bee­tle Adven­ture Rac­ing looks and plays won­der­ful­ly. The envi­ron­ments look great for a Nin­ten­do 64 game and real­ly make the game pop over­all. And it also plays well. The rac­ing is smooth and lithe, mak­ing for a sat­is­fy­ing expe­ri­ence when tak­ing curves or final­ly land­ing a short­cut path.
Of spe­cial note is the sound­track. It’s only six tracks plus a few oth­er menu tunes, but this is a fan­tas­tic sound­track. The tracks work well with the rac­ing locales, and almost all of them are bangers. Our long­time favorite is Mount May­hem, the snow lodge moun­tain track. We’ve been bump­ing that as long as the game has been out in var­i­ous for­mats, and 24 years lat­er we con­tin­ue to do so. It’s that good and comes with high praise.
Our only caveat with Bee­tle Adven­ture Rac­ing is that the dif­fi­cul­ty lev­el is slight­ly out of bal­ance. It could use some tweak­ing so that you see the lat­er rac­ing tracks a lit­tle more often. Giv­en that it’s hard to find some of the point box­es on the tracks and you need them in order to earn con­tin­ues, it should be eas­i­er to obtain for the lat­ter por­tions of the game.
Aside from the pun­ish­ing dif­fi­cul­ty, the game is prac­ti­cal­ly per­fect. There isn’t much to feast on, but when you can feast it’s among if not the best rac­ing game on the N64. It’s a heck of an adven­ture whether you’re a Bee­tle enthu­si­ast or not. V dub or bust.

Sonic the Hedgehog 2 — Issue 45

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Son­ic reigns supreme in sec­ond outing

Ah, Son­ic the Hedge­hog. Sega’s top mas­cot has had a bit of a revival late­ly. From tril­o­gy games on the Gen­e­sis and oth­er sys­tems devel­oped by Sega and its com­peti­tors to com­ic books and var­i­ous mer­chan­dise, car­toon series and two block­buster movies, Son­ic and Co. are liv­ing large. He reached a sim­i­lar zenith in his sec­ond game — Son­ic the Hedge­hog 2 — which also intro­duced fans to his equal-yet-unique part­ner, Miles Prow­er aka “Tails” (because he’s a two-tailed fox) who joins our favorite blue speedy demon in a new bat­tle to stop Dr. Robotnik. 
In Son­ic 2, Son­ic and Tails and their friends are enjoy­ing peace­ful days on West Island until Dr. Robot­nik and his cronies arrive, kid­nap­ping the inhab­i­tants, and trans­form­ing them into robot­ic slaves. The slaves would help Robot­nik search for the leg­endary Chaos Emer­alds, which he plans to use to pow­er his space sta­tion. With Robot­nik’s lat­est threat, It’s up to Son­ic and Tails to find the Emer­alds to foil Robot­nik and his dreams for world domination. 
Game­play in Son­ic 2 is much like the first Son­ic game, but with some new addi­tions. Each lev­el or “act” (there are 20 in total) will have you bash­ing ene­mies and avoid­ing var­i­ous haz­ards such as spikes and bot­tom­less pits. While dash­ing through you must uti­lize some patience and tim­ing to avoid these var­i­ous obsta­cles. Son­ic is still easy to con­trol but he now also has a cool new trick called the Spin Dash. This lets him go even faster and take down more ene­mies. Tails has the same skills, but his two tails give him a lit­tle more flair. 
Son­ic 2 has the option of Son­ic or Tails going after Robot­nik alone or join­ing forces in either sin­gle- or two-play­er modes. Robot­nik has some new allies in the form of a robot­ic mon­key named Coconuts and a robot­ic crab named Thrash­er whose shell is com­prised of a pin­ball bumper. With Robot­nik hav­ing new meth­ods to attack and hench bots to car­ry them out, the usu­al powerups (Rings, Speed Sneak­ers, and invin­ci­bil­i­ty) are vast and abun­dant, but Son­ic and Tails can take advan­tage of a new pow­er shield that gives tem­po­rary pro­tec­tion against hits. 
The graph­ics are of 16-bit qual­i­ty, but they do an excel­lent job of shin­ing, whether it’s char­ac­ters or back­grounds. Each stage is burst­ing with high ener­gy col­or; the Chem­i­cal Plant Zone, Metrop­o­lis Zone and the bonus stages are my some of my per­son­al favorites. 
I was pleased with Son­ic 2’s music from begin­ning to end as it paired per­fect­ly with the stages, beat by beat. The Green Hill, Chem­i­cal Plant, Casi­no Night and Mys­tic Cave zones hit the spot with spe­cial recog­ni­tion for the Sky Chase Zone for its relax­ing beats. 
Son­ic 2 is wor­thy of revis­it­ing often, espe­cial­ly if you want to expe­ri­ence 16-bit gam­ing at its finest. There is no doubt that Son­ic 2 would be a sure-fire hit game to intro­duce to a new gen­er­a­tion of gamers look­ing to expe­ri­ence good old-school gaming.
Son­ic the Hedge­hog 2 is a cer­ti­fi­able banger in the annals of video game his­to­ry. One of the best sequels ever released kept Sega in the 16-bit wars and gave us leg­endary Son­ic game­play that still holds up. Spin Dash on blue blur.

 

Jet Grind Radio — Issue 45

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Jet Grind Radio sets cool standard

Bom­bas­tic yet cool. This is the dichoto­my you encounter in the atmos­phere of Jet Grind Radio. There’s noth­ing quite like it — except its sequel — and that’s a bless­ing because I don’t think the world could han­dle any­thing else. It’s quirky, futur­is­tic, stun­ning, and unde­ni­ably cool when you get down to it: Jet Grind Radio is the future.
Set in a futur­is­tic Tokyo, Jet Grind Radio fea­tures a wide cast of rollerblad­ing graf­fi­ti gangs vying for suprema­cy and strug­gling against an ego­ma­ni­a­cal mad­man and his con­glom­er­ate, which are attempt­ing to take over the world. The sto­ry­line serves its pur­pose but it’s the char­ac­ters that are the draw here. Each char­ac­ter — includ­ing the unlock­able — has an inter­est­ing look and sto­ry going on. They are the lifeblood, and it’s fun to learn about them and their motivations. 
While we’re lov­ing the char­ac­ters, let’s also give love to the art style that brings them to life. The art style is gor­geous and still holds up after 23 years. The graf­fi­ti cel-shad­ed look has aged well; graf­fi­ti nev­er fails to be awe­some and impact­ful, and Jet Grind Radio looks phe­nom­e­nal. It’s the first game to use this tech­nique, and it set the stan­dard in 2000 in terms of pre­sen­ta­tion. The back­grounds are also well done and inspire runs through the game. It’s clear­ly an ear­ly 2000s game, but that only por­tends good things about the Dream­cast and what it was capa­ble of.
And as good as the game looks, the graph­ics almost don’t hold a can­dle to the sound­track. This is one of the best sound­tracks ever done, and it will have you bop­ping while you’re run­ning around on inline skates. This is one of those sound­tracks that you put on while work­ing and you get some of your best work done. Funky and pop-cen­tric, the sound­track has so much going on the­mat­i­cal­ly that there’s bound to be some­thing for everyone. 
And in terms of appeal­ing to mass con­sump­tion, the con­trols are a com­mon denom­i­na­tor kind of sen­si­bil­i­ty. The imme­di­ate com­par­i­son here is Tony Hawk, which isn’t sur­pris­ing since the Hawk­man had just released his first game — Tony Hawk’s Pro Skater — a year ear­li­er to crit­i­cal acclaim. Jet Grind Radio does­n’t nec­es­sar­i­ly grind on Hawk’s coat­tails, but you’re bound to say to your­self at least once, “These con­trols sure feel famil­iar.” And you would­n’t be wrong. That’s a good thing, because it plays like ear­ly Tony Hawk, you know when it was good.
While every­thing is great in terms of pre­sen­ta­tion and con­trol, I’d be remiss in men­tion­ing that there is one both­er­some flaw with Jet Grind Radio. While the con­trols are eas­i­ly anal­o­gous to ear­ly Tony Hawk games, it was­n’t easy to pick up the game and know what’s going on imme­di­ate­ly. It’s a lit­tle too inac­ces­si­ble at first, like it’s ask­ing you to have some in-depth knowl­edge ahead of play­ing for the first time. You may not be famil­iar with the con­cepts the game is throw­ing at you, and it’s the game’s respon­si­bil­i­ty to ease you into the fray. Thank­ful­ly, the sur­round­ing game is so good that you’ll come back to get more in-depth with the trap­pings of Tokyo-to.
The Jet Grind series has last­ed into the mod­ern era with re-releas­es and a rumored reboot, and the orig­i­nal game details exact­ly why. Easy con­trols, var­ied modes, an engag­ing cast (love Pots, Piran­ha and Beat!) and pop­ping sound­track make for an imme­di­ate­ly unfor­get­table expe­ri­ence. Get in-line to get down with the fan­tas­tic Jet Grind Radio.

Altered Beast — Issue 44

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Beast & Co. alter gaming

As a young lad grow­ing up in the era of arcades (AKA the gold­en age of gam­ing) one of the for­mer kings of gam­ing, Sega was the name that had instant recog­ni­tion with me. From titles like After Burn­er, Out­run, Shi­no­bi, and Vir­tu­al Fight­er, Sega has mas­tered the art of sep­a­rat­ing one from their gam­ing tokens with­out fail. Dur­ing my arcade trav­els, I saw a Sega title that turned out to be not only a clas­sic arcade hit, but also was the inspi­ra­tion for the Bloody Roar series: the revered but maligned Altered Beast for the Genesis.

In Altered Beast, you take on the role of an ancient Roman Cen­tu­ri­on war­rior res­ur­rect­ed by Zeus to res­cue his daugh­ter Athena who was kid­napped by the under­world ruler Neff. As this unnamed war­rior, you do have a small-but-pow­er­ful advan­tage over Neff and his armies: the abil­i­ty to pow­er up into var­i­ous beasts that change the tide of the bat­tle. With this abil­i­ty, the Cen­tu­ri­on war­rior sets off on his divine man­date to res­cue Athena and defeat Neff. 

Game­play of Altered Beast is real­ly sim­ple: As some­one who played side-scrolling games, I instant­ly took to the basic punch, kick and jump mechan­ics. As you go through each ene­my, you’ll get a pow­er-up orb that lit­er­al­ly says “Pow­er-up!”; this made me think that Zeus came down and gave com­mands. On the third pow­er-up, you’ll go into your actu­al beast mode, which con­sists of forms such as a drag­on, were­wolf, were­bear, weretiger, and a gold­en were­wolf, each with their own unique pow­ers. At this point, I’m think­ing that this game is the ori­gin for the pop­u­lar phase “Beast Mode.” At the end of each lev­el, you bat­tle Neff in var­i­ous forms. The graph­ics are pret­ty good for a tran­si­tion from arcade to 16-bit con­sole with lit­tle notice­able dif­fer­ence in qual­i­ty for the time period. 

Altered Beast does have a few flaws: When you defeat Neff at the end of each stage, he some­how takes away your pow­er-up forms as a last part­ing shot, which is obnox­ious. Also, the brief inter­mis­sion scenes are grainy, mak­ing it hard to under­stand what’s going on. On the bright side, the replay val­ue is awe­some for those who want to relieve the gold­en days of the Gen­e­sis and those who want side scrolling action with a mix of horror.

Altered Beast is one of Sega’s clas­sic gems that is wor­thy of anoth­er look. There was a mod­ern-day remake released in 2005 for PS2, but it was crit­i­cal­ly panned. For­tu­nate­ly, Sega decid­ed to give Altered Beast anoth­er look, this time plac­ing it among its oth­er well-known prop­er­ties in var­i­ous TV and film projects. Sega altered the side-scrolling land­scape with this epic tale of good ver­sus evil.

The Magical Quest Starring Mickey Mouse — Issue 44

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Hop ‘n bop Dis­ney style

Hop ‘n bops are the lifeblood of the old­er con­soles. You did­n’t have a decent con­sole if it did­n’t have one romp with a mas­cot-like char­ac­ter at the helm. Even the ter­ri­ble con­soles had at least one. So, it should be no sur­prise that a great sys­tem such as the Super Nin­ten­do was chock full of great bops. While a bit on the easy side and slight­ly deriv­a­tive, Mag­i­cal Quest Star­ring Mick­ey Mouse is in the pan­theon of good plat­form­ers for the SNES.

The game starts out with cutesy lore: Mick­ey and his friends Goofy and Don­ald are play­ing a game of catch with Plu­to at the park. The ball gets thrown too far and Plu­to runs off. Goofy and Don­ald chase Plu­to and even­tu­al­ly dis­ap­pear, leav­ing Mick­ey to search for them. Mick­ey tum­bles down a cliff and finds him­self in a strange mag­i­cal land. After a bit of search­ing, a wiz­ard appears to inform Mick­ey that Pete is a tyrant over the land and has cap­tured Plu­to. With that infor­ma­tion, it’s now up to Mick­ey to save his canine com­pan­ion and reunite with his friends.

While search­ing for Plu­to isn’t hard, some of the mechan­ics are lit­tle cum­ber­some. The spin-and-throw mechan­ic is weird at first, but even­tu­al­ly it becomes sec­ond nature. It’s a lit­tle too off some­times, mak­ing clean hits more miss than suc­cess. There are cos­tume changes for Mick­ey that serve to high­light the mag­ic usage of the game, and each has a way to be use­ful. The prob­lem is, it’s not always clear what you should be using the suits for indi­vid­u­al­ly. And upgrad­ing them is some­times a chore. How­ev­er, the over­all basic hop ‘n bop mechan­ics are excel­lent and feel tight. Mick­ey is easy to con­trol, and bop­ping through the beau­ti­ful scenery is an easy affair.

While the sto­ry isn’t any­thing to real­ly get excit­ed about, the graph­ics are. They’re super lush and beau­ti­ful, with detailed sprites and abun­dant col­ors to bright­en even the dark­est of realms. The music is also appro­pri­ate­ly bright, with a lot of sim­i­lar­i­ties to the lat­er excel­lent Aladdin sound­track. It’s a Cap­com music show so the sound­track is at worst decent. The tracks do add a lit­tle some­thing to the romp through loca­tions, so the music is serviceable.

This is the very def­i­n­i­tion of hop ‘n bop in the ear­ly days of 16-bit plat­form­ers. It’s got a decent sto­ry, beau­ti­ful graph­ics and a decent sound­track with excel­lent plat­form­ing and a vari­ety of mechan­ics to learn. If it had a save fea­ture, that might have pushed it to the upper ech­e­lon of SNES plat­form­ing. But, that bit of miss­ing mag­ic along with some quirky con­trol issues keep it from being an epic Mick­ey quest.

Gunbird 2 — Issue 44

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This is good and clean bul­let hell fun

Bom­bas­tic bul­lets, bombs, and spe­cial attacks. You’re get­ting a taste of every­thing in the wild ver­ti­cal shoot­er Gun­bird 2 from shoot-’em-up prac­ti­tion­er Psikyo. Whether that taste is enough to whet your appetite for fur­ther shmup adven­tures is anoth­er sto­ry, one I believe is worth at least reading.

Gun­bird 2 is your aver­age ver­ti­cal shoot­er in that it sub­scribes to bul­let hell envi­ron­ments. There are sev­en char­ac­ters to choose from, each with their own moti­va­tions for cap­tur­ing three mys­ti­cal ele­ments and pre­sent­ing them to their god. All of them fly around var­i­ous stages in the Gun­bird world, blow­ing up ene­mies and tak­ing on the boss Shark and her cronies Blade and Gim­mick of the Queen Pirates. The sto­ry is sim­ple to get into and won’t take up too much of your time through sta­t­ic screens explain­ing the sit­u­a­tion at hand. 

It’s easy to under­stand the mechan­ics as well. Each char­ac­ter has five attacks: Pri­ma­ry, sec­ondary, charge, melee, and super weapon. The pri­ma­ry weapon is either a con­cen­trat­ed or spread shot with all oth­er weapons spe­cif­ic to the char­ac­ter in ani­ma­tion. It’s fun to try all of the char­ac­ters to see how their weapons ani­mate and behave, and it’s impor­tant to as well, because there is strat­e­gy involved. Know­ing when to ini­ti­ate a super weapon is cru­cial for main­tain­ing com­bos and sav­ing your­self or your team­mate if you’re play­ing along­side some­one else. The attacks are all assigned to but­tons so you don’t have to do too much to move around and attack. It’s sim­plis­tic and yet chaot­ic at times, but it’s fun chaos.

The pre­sen­ta­tion is gor­geous while you’re dodg­ing ene­mies and get­ting shot from all direc­tions. The col­or palette is beau­ti­ful and the char­ac­ter ani­ma­tion shines. And, yes, even though Psikyo car­ried over Mor­ri­g­an’s dog-tired sprite from Dark­stalk­ers it still works here. You imme­di­ate­ly know who she is, and it does­n’t look to ter­ri­ble against the back­drops of bul­let hell. The oth­er char­ac­ters look good for late ’90s ani­ma­tion. While the ani­ma­tion is good, the sound­track is pass­ing, if not a bit late ’90s mediocre. It’s not ter­ri­ble, but it does­n’t stand­out. A sin­gle track caught our atten­tion, which is OK. Not all shoot-’em-ups get to be Gala­ga Arrange­ment or Gradius.

Over­all, Gun­bird 2 is a good ver­ti­cal shoot­er in a crowd­ed genre pop­u­lat­ed by heavy hit­ters. It shoots its way to the mid­dle of the pack, and while it won’t knock your socks off, it’s got replay val­ue and charm built into its laser.