Shadow Dancer: The Secret of Shinobi — Issue 48

A secret leg­end in the making
Shi­no­bi sequel barks up the right tree with new canine companion

Before Son­ic the Hedge­hog and Yakuza, Sega had estab­lished game fran­chis­es and mas­cots for the arcade and home con­sole mar­ket. One of those mas­cots was very pop­u­lar and came out on the scene at a time when Teenage Mutant Nin­ja Tur­tles were blow­ing up across the coun­try. His name was Joe Musashi, and his adven­tures were detailed in the game series “Shi­no­bi.” Ever since its 1987 release, Joe fought a one-nin­ja war on crime against the evil Zeed orga­ni­za­tion, which plot­ted glob­al dom­i­nance with their style of nin­ja arts. Time after time, through var­i­ous Sega games, Joe defeat­ed Zeed and kept the world at peace. How­ev­er, in Shad­ow Dancer: The Secret of Shi­no­bi, Joe would once again take up his sword against evil.

Shad­ow Dancer takes place one year after Joe’s most recent bat­tle with Zeed. In 1997, New York City comes under attack by a cult orga­ni­za­tion called Union Lizard. NYC is laid to waste with sur­vivors cap­tured as UL hostages. One of Joe’s stu­dents, Kaito, hears about UL’s assaults on a neigh­bor­hood and sets out to free its res­i­dents. Unfor­tu­nate­ly, Kaito falls in bat­tle. Enraged, Joe heads to NYC to bat­tle, accom­pa­nied by Yam­a­to, Kaito’s canine com­pan­ion. With a new ally, Joe enters this lat­est con­flict deter­mined to free NYC from UL clutch­es and avenge his stu­den­t’s death. 


Shad­ow Dancer’s con­trols are sim­ple. While I was impressed with the game-ready default set­up, I also appre­ci­at­ed that there are oth­er con­fig­u­ra­tions. You also have the option of using nor­mal or non-shuriken mode, which takes away the abil­i­ty to throw shuriken from a dis­tance. I also appre­ci­at­ed that Joe can also call upon three types of nin­jut­su in the forms of fire, tor­na­do, and mete­orites. The most vital weapon that Joe has in his lat­est bat­tle is Yam­a­to, who can be used to attack on-screen ene­mies with­out hes­i­ta­tion, tru­ly giv­ing cred­it to the phrase “take a bite out of crime.” Every time I unleashed Yam­a­to aka Kuma-pup­py TM, I loved see­ing the bad guys cry in pain as they thought that noth­ing could stop them. Jokes on them that a nin­ja dog brings them instant terror. 

The graph­ics were pret­ty decent as if Sega pulled the game from the actu­al arcade cab­i­net. The music is ’90s genre fit­ting for Sega games and will make you feel a spe­cial fond­ness for the nos­tal­gic days of arcades. I also like that with each stage the music blend­ed with the scenery, espe­cial­ly at the Stat­ue of Liberty. 

While I do love Shad­ow Dancer, I have a few gripes. The abil­i­ty to con­trol Yam­a­to is deter­mined by hav­ing no ene­mies on screen; if Yam­a­to or oth­er ene­mies are on dif­fer­ent lev­els of stages or when an ene­my can avoid him by jump­ing up or down out of his reach, it can get frus­trat­ing. I also don’t care for the imposed time lim­it that makes you rush to the end of the stage. My final griev­ance with Shad­ow Dancer is that at the end of each stage, there is a bonus stage where you must hit as many ene­my nin­jas as you can with shuriken. I threw a ton of shuriken at nin­ja but got low scores for my efforts. It’s a lot of work for lit­tle reward and seems like a waste of time, honestly.

Shad­ow Dancer: The Secret of Shi­no­bi is a game that helped cement Sega’s lega­cy in the video game indus­try. Sega is rein­tro­duc­ing clas­sic games in var­i­ous forms for a new gen­er­a­tion of gamers. Sega would be wise to rein­tro­duce Joe Musashi as the undis­put­ed mem­ber of video game roy­al­ty and leg­end in video game hero his­to­ry that he is.

Columns — Issue 45

Columns stacks up against Tetris juggernaut

As the faith­ful read­ers of GI know, I’m a child of the ’80s and ’90s. I owned an NES, Gen­e­sis and a Game Gear, but not a Game Boy. To sat­is­fy my portable gam­ing needs, I got a few Game Gear games that would hold my atten­tion. I’m not much of a puz­zle man, but one stood out as an alter­na­tive to the high­ly pop­u­lar Tetris at the time: Columns.
Columns’ game­play is sim­i­lar to Tetris, except that you’re match­ing var­i­ous gems with each oth­er before their row known as — you guessed it — columns stack up, ulti­mate­ly end­ing your game. The game back­sto­ry claims that its ori­gins hails from Mid­dle East­ern mer­chants with also a lit­tle bit of Greece mixed in. 
Con­trol of the columns is sim­ple: Guide the columns’ rows and arrange pieces to fit. It’s a sim­ple con­cept that is quick­ly under­stood. You can be a new­bie or a puz­zle expert and still jump into play­ing. There’s also an option to change the items from jew­els, to fruit, dice, or tra­di­tion­al play­ing card suits, which livens up the game­play slightly. 
The graph­ics are top-notch in both ver­sions. The graph­ics are col­or­ful and more than just bricks being moved around. They look good even in a small set­ting like the Game Gear. 
The music in Columns varies from ancient Roman tunes to a futur­is­tic beat that is calm­ing dur­ing game­play. The sound­track is a nice men­tal break for the mind, which helps when you’re pos­si­bly fran­ti­cal­ly mak­ing matches. 
Columns is an under­es­ti­mat­ed crown jew­el that shines on all Sega sys­tems. It’s a fun alter­na­tive to Tetris with a nice calm­ing effect to boot. Hunt down this dif­fer­ent but bril­liant puz­zle choice. 

 

Build­ing blocks of Columns

In 1989, Jay Geert­sen, a devel­op­er for Hewlett-Packard, was look­ing to port a soft­ware tool to HP’s in-house oper­at­ing sys­tem for its work com­put­ers. Geert­sen believed there was a bet­ter way to learn skills and have fun at the same time. He came up with mod­i­fy­ing Tic Tac-Toe and applied it as a way to help soft­ware engi­neers prac­tice their pro­gram­ing. The result: Once they heard about Geert­sen’s work through third par­ties, Sega called him and inquired about devel­op­ment. Check out his sto­ry through this link: https://www.pressreader.com/uk/retro-gamer/20190711/281599537055264.

Jet Grind Radio — Issue 45

Jet Grind Radio sets cool standard

Bom­bas­tic yet cool. This is the dichoto­my you encounter in the atmos­phere of Jet Grind Radio. There’s noth­ing quite like it — except its sequel — and that’s a bless­ing because I don’t think the world could han­dle any­thing else. It’s quirky, futur­is­tic, stun­ning, and unde­ni­ably cool when you get down to it: Jet Grind Radio is the future.
Set in a futur­is­tic Tokyo, Jet Grind Radio fea­tures a wide cast of rollerblad­ing graf­fi­ti gangs vying for suprema­cy and strug­gling against an ego­ma­ni­a­cal mad­man and his con­glom­er­ate, which are attempt­ing to take over the world. The sto­ry­line serves its pur­pose but it’s the char­ac­ters that are the draw here. Each char­ac­ter — includ­ing the unlock­able — has an inter­est­ing look and sto­ry going on. They are the lifeblood, and it’s fun to learn about them and their motivations. 
While we’re lov­ing the char­ac­ters, let’s also give love to the art style that brings them to life. The art style is gor­geous and still holds up after 23 years. The graf­fi­ti cel-shad­ed look has aged well; graf­fi­ti nev­er fails to be awe­some and impact­ful, and Jet Grind Radio looks phe­nom­e­nal. It’s the first game to use this tech­nique, and it set the stan­dard in 2000 in terms of pre­sen­ta­tion. The back­grounds are also well done and inspire runs through the game. It’s clear­ly an ear­ly 2000s game, but that only por­tends good things about the Dream­cast and what it was capa­ble of.
And as good as the game looks, the graph­ics almost don’t hold a can­dle to the sound­track. This is one of the best sound­tracks ever done, and it will have you bop­ping while you’re run­ning around on inline skates. This is one of those sound­tracks that you put on while work­ing and you get some of your best work done. Funky and pop-cen­tric, the sound­track has so much going on the­mat­i­cal­ly that there’s bound to be some­thing for everyone. 
And in terms of appeal­ing to mass con­sump­tion, the con­trols are a com­mon denom­i­na­tor kind of sen­si­bil­i­ty. The imme­di­ate com­par­i­son here is Tony Hawk, which isn’t sur­pris­ing since the Hawk­man had just released his first game — Tony Hawk’s Pro Skater — a year ear­li­er to crit­i­cal acclaim. Jet Grind Radio does­n’t nec­es­sar­i­ly grind on Hawk’s coat­tails, but you’re bound to say to your­self at least once, “These con­trols sure feel famil­iar.” And you would­n’t be wrong. That’s a good thing, because it plays like ear­ly Tony Hawk, you know when it was good.
While every­thing is great in terms of pre­sen­ta­tion and con­trol, I’d be remiss in men­tion­ing that there is one both­er­some flaw with Jet Grind Radio. While the con­trols are eas­i­ly anal­o­gous to ear­ly Tony Hawk games, it was­n’t easy to pick up the game and know what’s going on imme­di­ate­ly. It’s a lit­tle too inac­ces­si­ble at first, like it’s ask­ing you to have some in-depth knowl­edge ahead of play­ing for the first time. You may not be famil­iar with the con­cepts the game is throw­ing at you, and it’s the game’s respon­si­bil­i­ty to ease you into the fray. Thank­ful­ly, the sur­round­ing game is so good that you’ll come back to get more in-depth with the trap­pings of Tokyo-to.
The Jet Grind series has last­ed into the mod­ern era with re-releas­es and a rumored reboot, and the orig­i­nal game details exact­ly why. Easy con­trols, var­ied modes, an engag­ing cast (love Pots, Piran­ha and Beat!) and pop­ping sound­track make for an imme­di­ate­ly unfor­get­table expe­ri­ence. Get in-line to get down with the fan­tas­tic Jet Grind Radio.

Altered Beast — Issue 44

Beast & Co. alter gaming

As a young lad grow­ing up in the era of arcades (AKA the gold­en age of gam­ing) one of the for­mer kings of gam­ing, Sega was the name that had instant recog­ni­tion with me. From titles like After Burn­er, Out­run, Shi­no­bi, and Vir­tu­al Fight­er, Sega has mas­tered the art of sep­a­rat­ing one from their gam­ing tokens with­out fail. Dur­ing my arcade trav­els, I saw a Sega title that turned out to be not only a clas­sic arcade hit, but also was the inspi­ra­tion for the Bloody Roar series: the revered but maligned Altered Beast for the Genesis.

In Altered Beast, you take on the role of an ancient Roman Cen­tu­ri­on war­rior res­ur­rect­ed by Zeus to res­cue his daugh­ter Athena who was kid­napped by the under­world ruler Neff. As this unnamed war­rior, you do have a small-but-pow­er­ful advan­tage over Neff and his armies: the abil­i­ty to pow­er up into var­i­ous beasts that change the tide of the bat­tle. With this abil­i­ty, the Cen­tu­ri­on war­rior sets off on his divine man­date to res­cue Athena and defeat Neff. 

Game­play of Altered Beast is real­ly sim­ple: As some­one who played side-scrolling games, I instant­ly took to the basic punch, kick and jump mechan­ics. As you go through each ene­my, you’ll get a pow­er-up orb that lit­er­al­ly says “Pow­er-up!”; this made me think that Zeus came down and gave com­mands. On the third pow­er-up, you’ll go into your actu­al beast mode, which con­sists of forms such as a drag­on, were­wolf, were­bear, weretiger, and a gold­en were­wolf, each with their own unique pow­ers. At this point, I’m think­ing that this game is the ori­gin for the pop­u­lar phase “Beast Mode.” At the end of each lev­el, you bat­tle Neff in var­i­ous forms. The graph­ics are pret­ty good for a tran­si­tion from arcade to 16-bit con­sole with lit­tle notice­able dif­fer­ence in qual­i­ty for the time period. 

Altered Beast does have a few flaws: When you defeat Neff at the end of each stage, he some­how takes away your pow­er-up forms as a last part­ing shot, which is obnox­ious. Also, the brief inter­mis­sion scenes are grainy, mak­ing it hard to under­stand what’s going on. On the bright side, the replay val­ue is awe­some for those who want to relieve the gold­en days of the Gen­e­sis and those who want side scrolling action with a mix of horror.

Altered Beast is one of Sega’s clas­sic gems that is wor­thy of anoth­er look. There was a mod­ern-day remake released in 2005 for PS2, but it was crit­i­cal­ly panned. For­tu­nate­ly, Sega decid­ed to give Altered Beast anoth­er look, this time plac­ing it among its oth­er well-known prop­er­ties in var­i­ous TV and film projects. Sega altered the side-scrolling land­scape with this epic tale of good ver­sus evil.

Gunbird 2 — Issue 44

This is good and clean bul­let hell fun

Bom­bas­tic bul­lets, bombs, and spe­cial attacks. You’re get­ting a taste of every­thing in the wild ver­ti­cal shoot­er Gun­bird 2 from shoot-’em-up prac­ti­tion­er Psikyo. Whether that taste is enough to whet your appetite for fur­ther shmup adven­tures is anoth­er sto­ry, one I believe is worth at least reading.

Gun­bird 2 is your aver­age ver­ti­cal shoot­er in that it sub­scribes to bul­let hell envi­ron­ments. There are sev­en char­ac­ters to choose from, each with their own moti­va­tions for cap­tur­ing three mys­ti­cal ele­ments and pre­sent­ing them to their god. All of them fly around var­i­ous stages in the Gun­bird world, blow­ing up ene­mies and tak­ing on the boss Shark and her cronies Blade and Gim­mick of the Queen Pirates. The sto­ry is sim­ple to get into and won’t take up too much of your time through sta­t­ic screens explain­ing the sit­u­a­tion at hand. 

It’s easy to under­stand the mechan­ics as well. Each char­ac­ter has five attacks: Pri­ma­ry, sec­ondary, charge, melee, and super weapon. The pri­ma­ry weapon is either a con­cen­trat­ed or spread shot with all oth­er weapons spe­cif­ic to the char­ac­ter in ani­ma­tion. It’s fun to try all of the char­ac­ters to see how their weapons ani­mate and behave, and it’s impor­tant to as well, because there is strat­e­gy involved. Know­ing when to ini­ti­ate a super weapon is cru­cial for main­tain­ing com­bos and sav­ing your­self or your team­mate if you’re play­ing along­side some­one else. The attacks are all assigned to but­tons so you don’t have to do too much to move around and attack. It’s sim­plis­tic and yet chaot­ic at times, but it’s fun chaos.

The pre­sen­ta­tion is gor­geous while you’re dodg­ing ene­mies and get­ting shot from all direc­tions. The col­or palette is beau­ti­ful and the char­ac­ter ani­ma­tion shines. And, yes, even though Psikyo car­ried over Mor­ri­g­an’s dog-tired sprite from Dark­stalk­ers it still works here. You imme­di­ate­ly know who she is, and it does­n’t look to ter­ri­ble against the back­drops of bul­let hell. The oth­er char­ac­ters look good for late ’90s ani­ma­tion. While the ani­ma­tion is good, the sound­track is pass­ing, if not a bit late ’90s mediocre. It’s not ter­ri­ble, but it does­n’t stand­out. A sin­gle track caught our atten­tion, which is OK. Not all shoot-’em-ups get to be Gala­ga Arrange­ment or Gradius.

Over­all, Gun­bird 2 is a good ver­ti­cal shoot­er in a crowd­ed genre pop­u­lat­ed by heavy hit­ters. It shoots its way to the mid­dle of the pack, and while it won’t knock your socks off, it’s got replay val­ue and charm built into its laser.

Golden Axe — Issue 44

A gold­en era of gaming

I know I’ve cov­ered a lot of Sega games, but I’m a big fan. I par­tial­ly owned a NES, a Mas­ter Sys­tem and a Gen­e­sis, and while I did not have a lot of games for those sys­tems, I enjoyed the games that I had for them, espe­cial­ly the Gen­e­sis. One of those games has an arcade back­ground shared with Gaunt­let with ele­ments of the Dun­geons and Drag­ons table­top games. If you old­er read­ers know what I’m talk­ing about, respect. For you younger read­ers, lis­ten and learn of the tale of Gold­en Axe.

Inspired also by the Conan the Bar­bar­ian movie series of the 1980s, Gold­en Axe gives you a choice of three war­riors: Ax Bat­tler, who wields a broadsword; Gilius Thun­der­head, a dwarf war­rior with a bat­tle ax; and, an Ama­zon­ian war­rior, Tyris Flare, whose weapon of choice is a longsword. These war­riors were brought togeth­er by twist of fate thanks to an evil enti­ty known as Death Adder, who has cap­tured the king­dom of Yuria along with its king and his daugh­ter. The three heroes have also lost loved ones at Death Adder’s hands and set off on their quest to destroy Death Adder and restore hope and peace to Yuria. 

Game­play is sim­ple with each char­ac­ter have the basic attack, jump and spe­cial attacks you find in reg­u­lar side-scroller games. The one major advan­tage that Ax, Gilius, and Tyris have is their unique abil­i­ty to cast mag­ic spells that does seri­ous dam­age to all ene­mies on screen. How­ev­er, this spe­cial attack comes with two caveats: mag­ic ener­gy has a high cost and pro­tect­ing your nec­es­sary mag­ic potions from thiev­ing elves is a chore. Now, this is the part where you ask, “what’s the pay­off with the char­ac­ter’s mag­ic attacks?” Good ques­tion! Tyris wields fire mag­ic, Ax’s spe­cial­ty is earth spells and my favorite char­ac­ter, Gilius, lit­er­al­ly brings the thun­der with light­ing spells. It’s easy to under­stand the mechan­ics and use every­thing in the heat of battle. 

If there was one neg­a­tive thing that I found about Gold­en Axe, it’s that it’s too short on game­play. The first stage is set on a giant sea tur­tle that moves across the sea in the sec­ond stage. You move to a sleep­ing giant eagle in the third stage and are trans­port­ed to the fourth and final stage by said eagle. That’s entire­ly too short of an adven­ture. Eas­i­ly there could have been a few more stages to flesh out the story.

The music has a strong com­bi­na­tion of hero­ic and fairy­tale beats that are not too shab­by but is a per­fect fit for the game. The replay val­ue is pret­ty good for a 16-bit game that has a short lev­el of game­play. Over­all, this is a valiant effort by Sega to be cre­ative with a game that has poten­tial sad­ly but lacks creativity.

While it can be fun to play, the game need­ed some pol­ish and a lit­tle bit more finesse to real­ly shine. You’ll pull some hair at the length and some ele­ments, but over­all, it’s a decent hack ‘n slash. Just exer­cise calm and steadi­ness in this promis­ing yet cru­el venture.

QuackShot Starring Donald Duck — Issue 42

Don­ald the Explorer

As a child of the ’90s, I grew up on the “Dis­ney After­noon” car­toon line­up. All the shows received the video game treat­ment for either 8‑bit, 16-bit sys­tems or for both con­soles at the time. I had a Sega Gen­e­sis and won­dered when Dis­ney would license a game based on a DA show for Gen­e­sis. Lit­tle did I know, Sega had license deals with Dis­ney direct­ly, and like Dis­ney games made by Cap­com, Sega made a game that was­n’t anoth­er “Duck­Tales,” but was set in the series’ uni­verse and had its reg­u­lar char­ac­ters. His name is Don­ald Duck, and he made his debut in plat­form gam­ing in “Quack­Shot Star­ring Don­ald Duck.”
In Quack­Shot, Don­ald sets out on a trea­sure hunt stretch­ing across nine stages. One day in Duck­burg, Don­ald vis­its his Uncle Scrooge and while check­ing out his library, Don­ald stum­bles upon a mes­sage from King Grazuia, an old ruler of the Great Duck King­dom who has hid­den his leg­endary trea­sure across the world. Enclosed with the mes­sage is a map that Don­ald believes leads to trea­sure that would make him rich­er than Uncle Scrooge. How­ev­er, Big Bad Pete and his gang also find out about the trea­sure and set off after Don­ald, turn­ing the trea­sure hunt into a race to see who gets it first. 
Con­trol of our dar­ing adven­tur­er is sim­ple with the d‑pad and, com­bined with abun­dant options, ensures that you can set up move­ment, weapon use and dash­ing to spe­cif­ic buy­outs. Don­ald may have odds against him, but he has some advan­tages with his plunger gun uti­liz­ing yel­low plungers to stop Pete’s hench­men and oth­er foes tem­porar­i­ly with an unlim­it­ed sup­ply, and a reload­able pop­corn gun that shoots five ker­nels at once. Don­ald also has some of the “Duck­Tales” crew help­ing him: Nephews Huey, Dewey, and Louie pro­vide trans­porta­tion to each des­ti­na­tion, and Gyro Gear­loose pro­vides Don­ald with bub­blegum ammo that can break down obsta­cles. The MVP weapon in the game is the “quack attack,” which Don­ald can use to knock down any ene­mies instant­ly. I give cred­it to Sega for using Dis­ney’s knowl­edge of Don­ald’s tem­per. The graph­ics and music were excel­lent, live­ly, and bright for an appro­pri­ate­ly spry game.
The down­sides to “Quack­Shot” are few but are sim­i­lar­ly found in most plat­form games. You must ensure per­fect tim­ing for Don­ald when he either cross­es dan­ger­ous obsta­cles or per­forms his dash move. Also, mild­ly infu­ri­at­ing is small voice sam­ple usage for the char­ac­ters as this was not only a debut game for Don­ald, but also it is set in the Duck­Tales uni­verse. There was so much untapped poten­tial for rich, estab­lished his­to­ry. Final­ly, you can only start the game in Duck­burg, Mex­i­co, or Tran­syl­va­nia. To pass lat­er stages, you need a par­tic­u­lar item, so there is a lot of back­track­ing unnecessarily.
“Quack­Shot Star­ring Don­ald Duck” was one of the games that I start­ed off with as a Gen­e­sis own­er. A sol­id plat­former, it showed that Sega had tal­ent of devel­op­ing con­soles and leg­endary games using orig­i­nal and licensed char­ac­ters. Most impor­tant­ly, I got to see anoth­er Dis­ney clas­sic char­ac­ter get his lime­light in his first video game with a star­ring role. Car­ry on Don­ald, car­ry on.

Strider — Issue 42

The ulti­mate nin­ja warrior

Strid­er Hiryu. Best known for his appear­ances in the Mar­vel vs. Cap­com series, he has been con­sid­ered a top-tier char­ac­ter by play­ers and is con­sis­tent­ly pop­u­lar. Strid­er also appeared in a stand­alone game in 2014 for var­i­ous con­soles at the time. How­ev­er, Strid­er was already estab­lished, start­ing in 1989 with his orig­i­nal arcade release that was port­ed to the NES and to the Gen­e­sis in 1990 via Sega. It was titled, yep, you guessed it, “Strid­er.”
In the year 1998, after a series of dis­as­ters fell upon Earth, peo­ple across the globe real­ized their sit­u­a­tion and began to work togeth­er to rebuild. Four years lat­er, in an East­ern Euro­pean nation called Kaza­fu sev­er­al red dots appeared as the advance guard of the evil space being Meio. They caused imme­di­ate destruc­tion of Kafazu, Europe, and North and South Amer­i­ca, result­ing in 80 per­cent of Earth­’s pop­u­la­tion being wiped out. How­ev­er, on a small South Seas Island called Mora­los, a secret orga­ni­za­tion known as “Strid­ers” began to move to stop Meio’s reign of ter­ror. They sent their best agent, Hiryu, for­ward with the task of stop­ping Meio and his plans for world domination. 
Con­trol of Hiryu is sim­ple, allow­ing him to attack in either direc­tion, duck when fight­ing, and climb to reach high­er areas. Hiryu also has use of his plas­ma sword, Fal­chion, to assist in remov­ing ene­mies from any direc­tion on the screen. I also found that Hiryu has two reli­able tech­niques that are game-chang­ers: a slid­ing move that gets him in tight areas, and a cart­wheel move that allows you to glide from sur­face to sur­face while in a spin­ning wheel, mak­ing Hiryu unpre­dictable when he lands. Hiryu also can per­form a ver­ti­cal jump, hang­ing and squat­ting attacks with Fal­chion. Hiryu will also get some mis­sion sup­port from three bat­tle robots: Dipo­dal Saucer, which fires light­ing bolts wher­ev­er Hiryu swings Fal­chion; RoboPan­ther, which cov­ers Hiryu from frontal attacks; and, Robot Hawk, which assists Hiryu by severe­ly attack­ing air­borne ene­mies. Apart from the usu­al powerups in hack-and-slash games, there’s also a powerup that increas­es Fal­chion’s power.
The music is accept­able for each stage, match­ing its theme with a few stand­out tracks for the levels. 
As much as I love Strid­er, there are a few flaws. The chal­lenge is on full dis­play from the moment you hit start. In the options screen, you can add up to five lives for Hiryu, but you must frus­trat­ing­ly hunt down extra lives and score points to acquire the rest. You also have an obnox­ious time lim­it for each stage; if you don’t clear a lev­el in time, you’ll lose a life. I also found it frus­trat­ing that Hiryu can gain up to five life bars, but if he has a sup­port part­ner, that can be tak­en away if he suf­fers too much dam­age. That makes his mis­sion much more dif­fi­cult unnec­es­sar­i­ly at times. 
Strid­er is per­fect for any­one who wants to act out their post-dystopi­an hero fan­tasies with­out fear of pos­si­ble legal ret­ri­bu­tion. It’s an endur­ing clas­sic that has tran­scend­ed the hack-and-slash genre and made a name for itself in the fight­ing game com­mu­ni­ty via the MvC series. If there was ever a time that I wish that Strid­er Hiryu was real and ready to kick a cer­tain vil­lain­ous coun­try’s ass, that time is now. Hail, Hiryu-sama.

The Punisher — Issue 40

The Pun­ish­er makes good in dig­i­tal crime cleanup

Before Mar­vel vs. Cap­com became a rel­e­vant name to gamers, the com­pa­nies col­lab­o­rat­ed on oth­er games. Those games became essen­tial clas­sics to devel­op gamers who spe­cial­ized in sin­gle-com­bat titles. In 1994, Cap­com and Mar­vel brought a Final Fight-style game to the Gen­e­sis that starred comics’ most infa­mous anti-hero: Frank Cas­tle aka The Punisher.
The game fol­lows the sto­ry­line of the clas­sic Mar­vel comics series. Frank Cas­tle, a dec­o­rat­ed vet­er­an Marine, was enjoy­ing a day in the park with his fam­i­ly when they unwit­ting­ly became wit­ness­es to a mob shoot­ing. As a result, Cas­tle and his fam­i­ly were mas­sa­cred, him being the only sur­vivor. Cas­tle became deter­mined to get pay­back by any means nec­es­sary. With fel­low war­rior Nick Fury (of S.H.I.E.L.D.), Cas­tle begins his war on crime against mob boss Wil­son Fisk aka King­pin, who caused the death of his fam­i­ly and many oth­er innocents. 
The game plays sim­i­lar­ly to “Final Fight” and “Cap­tain Com­man­do.” You can choose to play as either Cas­tle or Fury and can team up in mul­ti­play­er. You start off with the basics, pro­gress­ing to com­bos and var­i­ous weapons such as hand­guns, auto­mat­ic rifles and katanas. There was lib­er­al food and oth­er pow­er-ups such as cash, gold bars and dia­monds that increased my score and restored health since the amount of ene­mies com­ing at me was nonstop. 
The graph­ics were pleas­ant enough, although they attempt­ed to copy arcade cab­i­net-qual­i­ty with lit­tle suc­cess. I will give Cap­com cred­it for mak­ing the graph­ics comic­book-like. it was like read­ing an actu­al issue of the comics includ­ing cap­tions “BLAM!” “KRAK” and BOOM!” instead of play­ing a rushed paint job of a pop­u­lar com­ic series video game. The music of each stage was also decent as Capcom’s sound team deliv­ered, keep­ing things close to what the Pun­ish­er feels like. 
With the work Cap­com put in, the atten­tion to detail made me want to pick it up to play as a return­ing com­ic book fan who knew about Cas­tle and Fury but want­ed to learn more about the King­pin and oth­er Mar­vel vil­lains such as Bush­whack­er and Bonebreaker. 
The Pun­ish­er is the first suc­cess­ful par­ing of Capcom’s know-how with Marvel’s leg­endary vig­i­lante who wastes no time dis­pens­ing his brand of jus­tice on crim­i­nals. Play­ing through this isn’t exact­ly punishment.

Yakuza: Dead Souls — Issue 39

Yakuza and zom­bies mix well

In my vast inven­to­ry of inter­ests, mafia movies are one that would make me curl up on a week­end after­noon with pop­corn, drinks and oth­er treats in hand. While I know that some famous mafia movies and tele­vi­sion series are being devel­oped into video games, Sega’s Yakuza series is already a per­fect com­bi­na­tion of action, adven­ture, and the mafia. I was thrilled to com­bine my love for the series with zom­bie ele­ments in Yakuza: Dead Souls.

Set a year after the events in Yakuza 4, an unknown dis­ease out­break in the dis­trict of Kamurochō has affect­ed its res­i­dents, turn­ing them into zom­bies through bites. As a result, the Japan­ese Ground Self-Defense Force has been called in to assist with the slow and expand­ing quar­an­tine. Dur­ing this chaot­ic time, cer­tain ene­mies of the Tojo clan have arisen to take advan­tage of Kamurochō’s suf­fer­ing. The fate of Kamurochō and Japan rests in the hands of four men: Shun Akiya­ma, a loan shark try­ing to save his sick recep­tion­ist; Goro Maji­ma, a feared yakuza and con­struc­tion com­pa­ny own­er who is fight­ing his own infec­tion; Ryu­ji Goda, a dis­graced yakuza and takoy­a­ki chef whose clan has a tie to the out­break; and, series pro­tag­o­nist Kiryu Kazu­ma, who runs a children’s orphan­age and returns to Kamurochō when his adop­tive daugh­ter is kidnapped.

Dead Souls is an open-world game that com­bines action, adven­ture, and sur­vival hor­ror ele­ments. The plot is one akin to samu­rai movies where there are four chap­ters with four parts for each char­ac­ter with the final chap­ter reserved for Kiryu. Con­trols for move­ment and the game cam­era are sim­ple with the ana­log sticks. You will also be giv­en “mem­os,” a list with spe­cial sec­tions to teach you basics such as using weapons, eva­sion, and close quar­ter com­bat, which help when fac­ing off against the legion of zom­bies. I appre­ci­at­ed the abil­i­ty to lev­el up each character’s attrib­ut­es through use of soul points that upgrades abil­i­ties to car­ry more items, improve knowl­edge of zom­bies, weapons mod­i­fi­ca­tions and pro­tec­tive gear, and mas­ter advanced close quar­ter com­bat techniques.

As the game pro­gress­es, your cur­rent char­ac­ter will be assist­ed by three NPCs: Reiko Hasekawa, a researcher who offers infor­ma­tion and rewards for com­plet­ed tasks; Gary “Buster” Holmes, a firearms expert who helps the pro­tag­o­nists and their tem­po­rary com­pan­ions with gun train­ing; and, Ren­ji Kamiya­ma, weapons sell­er and mod­i­fi­er of weapons and pro­tec­tive gear who can also be used as a pawn­bro­ker to buy rare items.

I also appre­ci­ate the clas­si­fi­ca­tion of var­i­ous zom­bie ene­mies; that orga­ni­za­tion method can help you plan the appro­pri­ate strat­e­gy or sim­ply avoid con­tact with them. While you’re run­ning around Kamurochō, pay atten­tion to the music. It’s one of Sega’s best sound­tracks in the mod­ern era and puts the Yakuza series among Sega’s go-to ros­ter of great soundtracks.

The graph­ics are OK for the time when it released. It’s good for an open world game, though there’s room for improve­ment. Though, com­pared to oth­er games at the time, Yakuza: Dead Souls doesn’t nec­es­sar­i­ly out­shine the com­pe­ti­tion; it just mere­ly com­petes. The only real prob­lem I have with Dead Souls is the inclu­sion of sce­nar­ios where you must chase down peo­ple while fend­ing off zom­bies. I know a yakuza got to make his mon­ey, but Sega was putting these char­ac­ters in dan­ger­ous con­di­tions with­out any pro­tec­tive gear, which is slight­ly unrealistic.

Dead Souls is great to play on a day off or slow week­end, though I would offer two pieces of advice: Do not play late at night, and do not play while COVID-19 is still around. It’s a nice attempt to mix mul­ti­ple gen­res. I can say this with no doubt: Sega’s got a smash hit ready to secure all bags and show its com­pe­ti­tion why it does not pay to under­es­ti­mate the Yakuza.

Fun Facts:

* Yakuza is the term giv­en to transna­tion­al crime orga­ni­za­tions based in Japan. They are also known as” boryoku­dan,” which the Japan­ese police advise for pub­lic media to use when cov­er­ing yakuza-relat­ed sto­ries. The yakuza also call them­selves “ninkyo dan­tai,” or chival­rous groups.

* Accord­ing to Japan’s Nation­al Police Agency as of 2020, there are at least 25,900 active yakuza mem­bers, despite rigid leg­is­la­tion aimed to com­bat yakuza involve­ment with the Japan­ese pub­lic. These mem­bers are account­ed among the three major yakuza fam­i­lies: Yam­aguchi-gumi, Somiyoshi-kai and Inagawa-kai.

* Yakuza groups have been known to oper­ate in major U.S. cities and use Hawaii as a hub to con­duct var­i­ous legal and ille­gal enterprises.