Sometimes, setting a precedent is a necessary evil.
The theatrical release of Justice League in 2017 was an unmitigated disaster. The plot was all over the place, the editing was unpolished, and it generally didn’t seem ready for release. But, the rumors began of another cut by the original director Zack Snyder. Snyder, who had stepped down for personal reasons, was generally regarded as someone who knew what they were doing when it comes to comic book film adaptations (see Man of Steel, 300 and Watchmen). This cut was much longer but supposedly closer to the original vision of what Justice League should have been.
The Snyder Cut was that and much more.
Putting together a coherent feature, the Snyder Cut is infinitely more watchable than the original cut of the film. Character motivations make more sense, important details are emphasized, and subplots and sometimes even characters are restored. Snyder’s delicate touch and worldbuilding are vital with an ensemble picture such as this, and it shows in the many changes made to correct.
One of those material effects is the origin story of Cyborg. With Snyder’s vision restored and more of the important details of his transition from human to cyborg, Cyborg is more present than he ever hoped to be in the original cut. Actor Ray Fisher is a force to be reckoned with in the film, and through this re-characterization you can immediately see why. Fisher must balance the nature of humanity versus machine after Victor Stone’s accident, and he does so with stunning aplomb.
Also of note, The Flash, as portrayed by Ezra Miller, is also superb with the restoration of his character in Snyder’s version. Miller takes the character from jokester to serious world-saving hero with several amazing scenes, including one that eventually won an Academy Award. Though this is not a review of Warner Bros.’ failures, take note that the scene that won the Oscar was among quite a few that the studio and theatrical director Joss Whedon cut from the original final product.
Snyder’s final cut blows away the original theatrical cut and makes good use of the extended run time. It’s almost as if an ensemble film should be this long and this good on purpose. While we’re not fans of the precedent set in having multiple releases of the same film, the original cut of Justice League was an abomination that necessitated the Snyder version’s release. Trust us when we say the film only has room for one abomination in the form of Darkseid.
Like the comics?: 9
Total score: 27/30 or 9.0
HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.