Property Review: Captain America: The First Avenger

First Avenger Assembled

Around these parts, we are known Marvel enthusiasts. So, it was a big surprise that while we’d seen all the majority of the MCU offerings, we hadn’t seen Cap’s origin.

We love Cap from the end of his time in the MCU, but we were pleasantly surprised by the Star-Spangled Man with a Plan’s introduction.
Captain America’s story in the MCU starts out much like the comics: Steve Rogers, a frail sickly man who is super patriotic, wants to fight for his country in the already-in-progress World War II. Even though he has an admirable fighting spirit, he’s rejected at every turn. That is until Dr. Abraham Erskine comes along with his Super Soldier Serum. The good doctor looks at Rogers as a suitable candidate for the serum, not because he’s the perfect soldier, but because he’s a good man. The project – attended and funded by Howard Stark and observed by Peggy Carter – is a rousing success, transforming the poor orphan into the strong, able-bodied Steve Rogers that we know and love. But here’s where things go wrong for our young super soldier: Erskine is murdered by the Nazis, and with him goes the future of the project.

Steve is now a one-of-a-kind freak asset, and the U.S. government doesn’t exactly need him to go do the things the main army is already accomplishing. However, when news of his childhood bestie James “Bucky” Barnes’ capture reaches his camp, Steve steals off to the front lines to rescue him and Bucky’s unit almost singlehandedly and proves his worth. Steve then manages to change the outcome of the war effort through bravery but there’s a cost: The Nazis manage to get their hands on the Tesseract/Cosmic Cube. Steve tracks it down and engages in battle only to win but lose Bucky and be lost to history for 70 years after crashing his plane to prevent the Cube from being recovered.
Given our previous reviews of MCU films and our glowing praise for the development of Steve Rogers, it’s not a secret that we love the characterization of Captain America. You learn here that Steve has always been worthy (for the purposes of wielding Mjolnir) and why. This isn’t a platitude that bares out in Avengers: Endgame just because he did a few good things. It’s built into Steven Grant Rogers’ DNA, from the moment that you see him fight a bully with the makeshift shield to the minute that he jumps on a fake hand grenade without thinking of the danger to himself. The Man out of Time is, in fact, the best man for the job because he is that job.

And while others are excellent in their roles here, let us take a minute to appreciate the outstanding job Chris Evans does with the role. Evans is so perfect a choice for Captain Rogers that 11 years later, we cannot picture anyone else playing the role. Evans’ earnest portrayal of the character shines through and propels the movie beyond the standard origin story. And his chemistry with the also-excellent Sebastian Stan and Hayley Atwell is a notable highlight. Hugo Weaving also deserves mention as a good villain in the story. He isn’t over the top, but a subtle smoldering foil to the good captain’s plans to end World War II.

We are massive fans of Captain America from the angle of Winter Soldier but with the seeds planted here, we now have the lead up to why we claim Winter Soldier as our favorite MCU film. First Avenger isn’t the first film in the MCU, but it certainly ranks high in the pantheon of character establishment in the world of Marvel superheroes.

Like the comics: 8
Acting: 9.5
Story: 9.5
Total: 27/30 or 9

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Property Review: Iron Man

The first coming of Tony Stark is one of the best MCU origin stories

Iron Man
Marvel Studios, 2008

The one that started them all. The metaphorical start of Robert Downey Jr.’s comic book-like redemption arc. The birthplace of the Marvel Cinematic Universe. The beginning of the beginning. All of these titles are appropriate for Iron Man, the 2008 origin story of veteran Avenger Tony Stark. Another title to throw in there? Magnificent.

It’s not just the tight story telling or excellent acting chops of the main cast. It’s also seeing Stark make his turn into the Avenger we all know and love. Stark starts out super hedonistic and self-serving. Through his wounding and subsequent capture by the Ten Rings organization, little by little, you see Stark have the needed epiphany that he was, in fact, War Machine, not Iron Man. Half of its fun ride comes from this need to see him come to that realization. The other half is, of course, learning that Stark can apply his genius for good and productive ways while still being the billionaire philanthropic playboy he declares himself to be to Steve Rogers in the later Avengers film.

Where Iron Man particularly succeeds, however, is the parallel Stark shares with perfect portrayer Robert Downey Jr. What most new generation Marvel fans don’t realize is, is when Iron Man was casted, Downey Jr. was not the bankable star that he is now. The man’s past is well known to older fans and caused several — including himself — to pause.

But the single most compelling thing about Downey Jr. is his will to better himself, work every day like most others to redeem himself and grow. That indomitable will shows in every second that Downey Jr. is Tony Stark/Iron Man. He is Iron Man. He is the living embodiment of the character who struggled to redeem himself and be a team player. Downey Jr. is such perfect casting that there is no one else that could ever step into the role. He became the character.

And for all that Iron Man succeeds in doing bombastically, it quietly sets up the rest of the cinematic universe perfectly. Iron Man in its stumbling glory is what we now know as the standard for a Marvel movie. It makes Stark relatable, tells his superhero origin story and sets up future films with a deftness that reminds us that there is, in fact, a plan for all of this. Now that we’ve seen that plan unfold, we can come back and praise the beginning for all that it is. The heart and soul of the MCU lives on.

Like the comics: 8

Acting: 8.5

Story: 8

Total: 24.5/30 or 8

HOW WE GRADE

We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Strip Talk #29: We have lost our beloved king and so we mourn

We lost him. Somewhere in that unrelatable ethos of the beyond, Chadwick Boseman is forming that megawatt electric grin. He’s looking down on his legacy and seeing the millions that mourn him. He’s seeing the tributes and the outpouring of grief.

And he is smiling.

Somehow, in a moment where his star shot brightest and highest, we lost him.

Our king has been stricken and lost. He has ascended to a higher throne, a throne we cannot comprehend. But we dare to dream, that he — our erstwhile marvelous king — is in a better place. A place that we cannot imagine but one we know that he ascended to because that is what it is to know of a man so great and yet so plain in his demeanor and words. We just know that of him. We feel that of him when we mention his name.

Chadwick Boseman did not pass away because of cancer; no, he transitioned in greatness as a man prepossessed of a quiet nature and commanding presence. Opening to the world as a myriad of characters, Boseman caught the eye and the heart of many through his measured portrayal of King T’Challa in the awesome, inspiring bombastic Black Panther. He was T’Challa, in portrayal and visage. In spirit and in mercy. He invited us into Wakanda, where black people are technologically advanced and free. He made us feel as though we were his loyal subjects, at any moment just as prepared to throw up the Wakandian salute as die for his highness. That a man could inspire that in nearly three hours of screen time is a testament to his power.

But we lost him.

There will never be another T’Challa or Chadwick Boseman. As it should be. We do not deserve a star so bright, and we should not ever be so deserving of the essence of him ever again.

Lo, we lost him, but he will reign forever.

Lyndsey Hicks is editor-in-chief of Gaming Insurrection. She can be reached by email at lyndseyh[at]gaminginsurrection.com