Tag Archives: 2019

Property Review: The Boys Season 1

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The Boys are back in town

Amazon, 2019

In your face. Gruesome. Over the top. Raw.

That’s how we’d describe the visceral reaction we had to The Boys in its inaugural season on Amazon Prime. We were familiar with the Garth Ennis graphic novel from many years back, and we were eagerly anticipating the adaptation once it was announced.

It did not disappoint.

Opening the story, A-Train, a speedster like Marvel’s Quicksilver, literally runs through protagonist Wee Hughie’s (a phenomenal Jack Quaid) girlfriend Robin accidentally while hopped up on drugs. Him barreling into her at superhuman speed causes her to explode instantly, traumatizing Hughie as he was holding her hands when the collision happened. Hughie can’t find solace in Robin’s death and the aftermath of receiving compensation for his loss. Wandering aimlessly in grief, he finds like-minded individuals starting with Billy Butcher, played by the breathtaking Karl Urban, who advises him to get his hands dirty and get revenge on the Seven because it’s the right thing to do and it’s “diabolical.”

Spreading the diabolical is the omnipresent Homelander, played brilliantly by Antony Starr. If you ever wonder what mixing Superman and Captain America with a side of Bizarro would create, you have Homelander. Homelander, with his all-American good looks and charm is, in reality, one of the most depraved super beings in the history of super beings. In his capacity as the leader of the Seven, a corporate sponsored superhero group, Homelander keeps the subordinates in check but thinks nothing of murdering a plane full of people twice (!) to achieve his own goals or keep the Vought International name clean.

The twists and turns and discovery of Homelander’s devious fakeout of the general population is equal parts engrossing, fun, gruesome and, well, diabolical. Everyone in the Seven has some sort of issue, but Homelander is the cream of the crop. Or so he says. By the end of the season, you will come to love and hate Homelander enough that if you haven’t read the graphic novel, you will hunt it down just to get the unfiltered version of the super menace.

Everyone plays their role to perfection, just nice enough on the surface but nasty enough on the other side that you know the mass marketing appeal of the characters isn’t going to last long. The story moves along at a nice pace, getting you to know the Seven and their impact on the world around them, and their counterparts in Butcher’s gang. It’s a fun, solid ride that makes you question everything you know about superheroes. What if they weren’t benevolent do-gooders and did stuff like participate in an orgy — the upcoming third season Herogasm arc? Who keeps them in check and how is that accomplished when they have powers that can literally change the world but they’re incompetent and amoral? The Boys aims to understand all of that in the goriest way possible. Season 1 ends on a cliffhanger and sets up future goodness in the already-released Season 2 and the coming Season 3. Expect more diabolical fun because this brilliant sendup of comic book follies is fantastic at judging those who save us.

Like the comics: 9

Acting: 8

Story: 10

Total: 27/30 or 9

HOW WE GRADE

We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Property Review: Captain Marvel

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A marvelous beginning

Captain Marvel
Marvel Studios, 2019

We all knew she was coming; we just didn’t know when. And when Carol Danvers got here, we were waiting, and we were not disappointed with what she brought with her.

Captain Marvel’s origin story is a tale as old as time: Heroine has amnesia, discovers her previous life and the reason for her amnesia, finds new allies and turns on her old “allies”/captors. However, this is different. Set some ways back in the MCU, Captain Marvel manages reasonably well to stick to the comic book origins of the character. With the hard work established in the story, thankfully, Jude Law and Brie Larson have chemistry and are a good match from the outset.

As we learn more about the good “Vers,” we also learn that not everything is as it seems. Danvers gets down to business and explores her origin in a funny yet serious way that highlights the central question that most all the Avengers and heroes of the MCU have had to ask themselves: Who are you?

And that’s the most important question asked by this film. Who is Carol Danvers to the outside world after being gone for six years? Who is she to her colleagues? Who is she to her friends and family? And, most importantly, who is Carol Danvers to herself? Going on this journey is the key to understanding the film and the character in later appearances.

Speaking of later appearances, Ronan the Accuser makes an appearance in what is chronologically his first appearance in the MCU. Technically, he steals the show in Guardians of the Galaxy Vol. 1, but in the MCU timeline of events, he first appears here to torment Danvers and he almost steals the movie right from under her. Lee Pace deserves mention for his nuanced portrayal of the villain. Ronan could easily have been a one-dimensional act, but Pace has shown layers to the villain and truly carried his weight when it came to showing the might of the Kree fanatic.

With the scene being set for the captain to do her thing and return to her roots, it’s no wonder that the film moves along at a nice clip. It done well and doesn’t stray too far from the comics or do too much extra work beyond what you’ve come to expect from a Marvel origin story. In fact, it does everything you need it to do to set up Captain Marvel for Avengers: Endgame and it does that extremely well. The look at the good captain is fun and packed full of action to set up for one of the most powerful beings in the comics to finally make her way to the cinematic universe in a dramatic and fun way.

Like the comics: 8

Story: 6

Acting: 6

Total: 20/30 or 6.7

HOW WE GRADE
We score the prop­er­ties in three cat­e­gories: Cast­ing (or voice act­ing in cases of ani­mated), plot and sim­i­lar­i­ties to its source mate­r­ial. Each cat­e­gory receives points out of the max­i­mum of 10 per cat­e­gory and 30 over­all. The per­cent­age is the final score.

Property Review: Avengers Endgame

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Photo courtesy of IMDB.com

Assembled greatness completed

Avengers: Endgame
Marvel Studios, 2019

“We’re in the endgame now.” Dr. Strange was and always has been prescient about the situation at hand. Whether it’s his own battles with the likes of Dormammu or Shuma Gorath or facing off against Thanos, the Sorcerer Supreme of Earth is always planning and stark about the reality of whatever happens to be going on. In this instance, in Avengers: Infinity War and Avengers: Endgame, Strange was the most grounded and gave the most sobering assessment of all: The Avengers were going to lose before they won.

Based on Strange’s assessment in Infinity War, you’d think Endgame would be some bleak tale of revenge and that’s it. Technically, Endgame does begin as that, but it morphs into something more. It’s a tale of loss, hard choices, joy and survival. And, yes, revenge. It’s a do-over on some levels also. See, here, the Avengers who survived “the snappening” in Infinity War have to go on. They’re living day to day without their comrades, friends, loved ones and mentors/mentees. Life is bleak, with monuments to those lost when Thanos took out half of the universe’s population with a flick of his wrist and a twitch in his gauntlet. Time has, at once, stood still and moved on for those still around. They’re finding ways to cope and that’s the meat of the first third. It’s a brilliantly deconstructed look at the world in which the Avengers did not win. The visceral raw emotion of Avengers coping, and the world at large is beautiful and simultaneously heartbreaking. Of all the Avengers, Thor and Hawkeye are depicted as having the most pain with Black Widow a close second. It’s the train wreck that you can’t look away from and feel in your soul.

From that wreck, however, in the second act rises the phoenix of the Avengers and their allies. The most genius among them — Scott Lang, Hulk and Tony Stark — figure out a way to effect time travel. They engineer a way to travel to different points on their established timeline to retrieve the Infinity stones and bring everyone back. This makes for great comedy and revisits of some of the cinematic universe’s most memorable moments. Pop culture bits (such as America’s Ass for Captain America/America’s sweetheart Chris Evans and “Hail Hydra,” also for Cap) even make their way in, lightening the mood a bit. But alas, as you make one stride forward, there will always be another that takes you back. Hard choices must be made in order to see some gain, or so Marvel would have you believe. So, yes, you’re going to say goodbye to some fan favorites and yes, this is signifying that their time with the franchise is coming to an end. However, it’s handled well, and it invokes emotion so much so that young children will cry at the thought of losing their favorite superhero.

And, for a minute, let the editor just step back and reminisce about the experience of seeing the current crop of Avengers gathered together for likely the last time. When there was a pivotal death, at the most pivotal moment — yes, THAT death — there was not a dry eye in the house. A young child, no older than 6 probably, cried her eyes out. Adults around us, including the editor, sniffled and cried as though we had lost a beloved family member. THAT is how you do a proper sendoff to a beloved character and that is how you wrap up a story, one of redemption and selflessness for the character and the actor in real life.

Every beat hit and every note cleanly marked is the hallmark of these Avengers movies and Endgame was no exception. Threads from the early days were neatly wrapped and character investment paid off for nearly everyone. It was enough that when the lights came back up, the movie received a standing ovation and nearly everyone waited for a mid-credits scene that would never come. THAT is how you wrap 11 years and 22 movies into a neat package and remind everyone that you’re the master of the genre. That is how you thank your fans for taking the time to care and get to know your ensemble cast through individual movies and properties.

That’s Marvel, baby.

Like the comics?: 6
Casting: 10
Writing: 10

Overall score: 26 out of 30 or 8.6

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.