Top 5 List: Marvel Characters Who Do Too Much Edition

Lucas Bishop (X-Men)
Don’t get us wrong: We love Bishop. We love him for his tenacity and his love for the X-Men ideology. However, when it came to mutant messiah Hope Summers, he did entirely too much and was absolutely obnoxious. We get it, the baby was the cause of shenanigans in his timeline but the running around trying to kill her at every chance was too much. At least we have the X-Men: The Animated Series version to love on still.

Emma Frost (X-Men)
So much can be said about Emma Frost’s obvious thirst for Cyclops, but when you’re a mutant pick-me the less said about you is probably best. First, Cyclops is not a catch. He’s trash personified for his many misdeeds up to and including abandoning the Goblin Queen. Second, if you chase the not-a-flex Cyclops, you’re trash, too. Girl, know your worth.

Mister Sinister (X-Men)
We can sum up Mister Sinister’s place on this list with one word: Obsession. If he’s not obsessed with immortality, he’s obsessed with genetic manipulation. And let’s be real, that genetic manipulation always involves the Summers-Grey bloodline. We really want Mister Sinister – the real Mister Sinister – to go outside and touch grass.

Victor Von Doom (Fantastic Four)
Anyone who creates clone robots of themselves that all believe they are the real thing has some issues and needs something to do. We love Doom but he does entirely too much when it comes to Reed Richards. And blaming everyone for your failures and a lack of accountability is a sure sign that you have a personality disorder.

Deadpool
Apparently, Deadpool has become a thing in the last few years because of some highly successful films but we’re just not seeing it. The breaking of the fourth wall is too much; when we read comics we want to escape into a fantasy, not be reminded that reality is happening for real. The Deadpool schtick is old as it is and Ryan Reynolds has run it into the ground. However, since he gave us Channing Tatum as Gambit, we’ll let some of it slide. But seriously, stop it already.

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Strip Talk #42: Man of Steel looking fragile in tired reboot

Superman isn’t looking, well super. I admit, I’m highly biased. I’m traditionally not a Superman fan. I don’t acknowledge anyone in the big screen role except for Christopher Reeve and Henry Cavill, and I don’t like this push for reboots every time someone new decides to saddle up at Warner Bros. with a cool new take on the character. So, when the newest version was announced from James Gunn and Peter What’s His Name, I immediately soured on it.

And then I saw the teaser trailer.

The new guy, David something or another, does not have the look. He doesn’t inspire me as a potential Superman/Clark Kent. He doesn’t have the presence, and he doesn’t strike me as a dude from Krypton that could take on Lex Luthor or Doomsday or Darkseid. Nothing about him screams rallying point.

The visuals don’t grab me, either. Metropolis looks bland and run of the mill, even with the puppy Krypto introduced. That tracks, though. I don’t expect much from Gunn – Guardians of the Galaxy, as good as it was, was a killer hand that he successfully managed to play three times while Lady Luck stroked the back of his head at the kitty. He was lucky to get away with an engaging cast and folks glomming onto Marvel anything for a minute because otherwise he might have been a Thor: The Dark World footnote.

What it comes down to is, I don’t trust the brain trust here. I don’t like Superman, but I don’t want him to suffer anymore indignities that he doesn’t have to suffer. Let him alone or better yet, they should have kept Cavill and wrote for him. He was ready, willing and able and had the fanbase primed with solid appearances. The surrounding material may have been bad, but he carried entire films on his back as Kent so I’m not understanding why he had to go. I will not let this go so long as we’re trying to shoehorn someone else into that man’s role.

I’m not sure what this David something or another needs to supe up Supes, but he needs something. I’m not impressed with what I’ve seen so far, and what I fear is coming is not going to be engaging enough to change my mind.

Lyndsey Beatty is editor-in-chief of Gaming Insurrection. She can be reached by email at lyndseyb@gaminginsurrection.com

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Property Review: Kill Bill Vol. 2

Photos courtesy of IMDB.com

Kill Bill Vol. 2
Miramax, 2003

A conclusion best served cold

Kill Bill Vol. 2 continues the Bride’s rip-roaring tale of revenge, and it’s a good ride.
In the second volume, the Bride reveals her name – Beatrix Kiddo – and faces off against the final two members of the Deadly Viper Assassination Squad, Elle Driver and Bud, before finally squaring up against the titular Bill himself.

This is a master class of how to conclude a story that spans multiple volumes, and it’s fraught with the tension of how it all is going to end. Will the Bride get the revenge she seeks upon Bill, who shot her in the head four years earlier? Will she find out about her alive and well child? Those questions are answered and, yes, Bill finally makes an appearance and shows us why he’s Snake Charmer, but the journey to get there sort of drags. We loved the two fights – Elle Driver vs. Beatrix and Bill vs. Beatrix – but some of the surrounding material could have been cut. Bill’s background was important but could have been trimmed as could some of the Pai Mei information. But we digress because ultimately it doesn’t kill the vibe of the film.


Particularly, we greatly enjoyed the reveal of Beatrix and Bill’s history and how the Massacre of Two Pines unfolded. It was so well-written that we could sort of empathize with Bill’s sorrow turned to rage when he realized that Beatrix didn’t die in action and was instead heavily pregnant and about to marry someone else that may have been the father of the baby she was obviously carrying.

Bill is the villain here, make no mistake, because there was no need for violence. Hurt people hurt people, but there’s no excuse for his level of hurt killing innocent people and nearly killing Beatrix. But you can see Bill’s level of pain etched in the face of the excellent late David Carradine. And Uma Thurman is fantastic here as Beatrix. The investment in Beatrix’s unfinished business carries over from the first volume and grows right to the moment that she tells Bill that it’s time to fight. Daryl Hannah as Elle, the unhinged new lover of Bill, and Michael Madsen as Bud, Bill’s trifling assassin brother, are also fantastic.
Excellent, tight writing and great acting mark the second volume, and while there could have been a little more editing done, Kill Bill Vol. 2 is a fun conclusion to the Bride’s journey to reclaim all that she lost. The unfinished business is done.

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Story: 9
Acting: 10
Directing: 7
Total: 26/30 or 8.7

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Otaku Corner: Devil May Cry Anime Ep. 1 & 2

Photo courtesy of IMDB.com

Devil’s in the details with fantastic DMC adaptation

In previous issues of GI, I covered various Devil May Cry games and the manga tie-ins to DMC 3. The Netflix adaptation of DMC is Capcom-approved but created by Castlevania director Adi Shankar. It’s been on my radar for a minute, and I’m pleased to say the first two episodes live up to the DMC reputation.

Episode 1 starts out in Vatican City where a demonic terrorist known as the White Rabbit and his mercenaries are raiding the Vatican Museums in search of the sword known as Force Edge. It was once held by Sparda, a legendary demon who created a barrier between Earth and Hell. When the White Rabbit acquires Force Edge, he kills the mercenaries and makes a worldwide broadcast about dissolving Sparda’s barrier to bring about the apocalypse, allowing demons to rule over humanity.

When word of the attack on Vatican City reaches Washington, the White House obtains the counsel of Dr. Fisher, a demonic expert working with Dark Force Command or DARKCOM, an interdimensional security group funded by affluent individuals led by Vice President William Baines. When Dr. Fisher explains that the White Rabbit is in search of a demon hunter, DARKCOM captures underworld information broker Enzo Ferino who tells DARKCOM agents that the White Rabbit is looking for the demon hunter Dante. During Enzo’s interrogation, Barnes and Dr. Fisher believe that Dante holds half of the amulet needed for Force Edge to remove its barrier. Elsewhere, Plasma, a top henchman of the White Rabbit, finds Dante and uses various forms of people and objects including Dante’s brother Virgil to take Dante’s half of the amulet but is unsuccessful. After the battle, Dante begins to question who would want his amulet and why demons and other unknown players want him.

Episode 2 continues events. DARKCOM agents, ordered by Barnes to supervise multiple teams of hired mercenaries, worked to capture Dante and retrieve his half of the amulet for examination by DARKCOM scientists. During the mission briefing, Mary Arkham, a supervisor to the DARKCOM team overseeing the mercenaries, encounters a demon and eliminates it. After the briefing, Barnes adds Anders, the lone survivor of a previous DARKCOM mission to eliminate White Rabbit, to the team. During the raid on Dante’s office, Barnes forces Enzo to lure Dante out, but Dante realizes Enzo’s scheme and refuses to give up the amulet. While Dante succeeds in escaping the mercenaries’ attack, he faces off against Lady who succeeds in capturing Dante and implants a bomb in his neck but takes Dante’s amulet and captures him and Enzo, taking them to DARKCOM headquarters for questioning.

The animation for Devil May Cry isn’t developed in the usual anime style. Shankar, while negotiating with Capcom and Netflix for streaming rights, sought out Studio Mir of Seoul to provide animation services for the series. Keeping pace with his take of video game animated series known as “The Bootleg Universe,” Shankar and his writing partner Alex Larsen used actual locations such as Vatican City and Washington to bring the level of DMC games action in to attract fans of the series and fans of political action shows. I personally like Shankar and Larsen’s take that they wrote an original concept for the series instead of coping various storylines from DMC’s games. As a DMC fan, I became fully invested in the anime but had to pace myself from binge watching to avoid being distracted from other activities. And as a treat for fans, there are a few Easter Eggs from DMC and other Capcom games such as Captain Commando and Resident Evil.
Capcom had some of its employees involved in production and should be applauded for allowing creative freedom in a long-running series such as this.

The choice of casting for characters was on point with Johnny Yong Bosch taking the role of Dante and Scout Taylor-Compton’s performance as Mary. Kari Wahlgren portraying Dante’s mother Eva was great, and legendary voice actor Kevin Conroy gave an outstanding performance as Barnes in his final performance. I have respect for Shankar for dedicating the first season to Conroy’s memory. Overall, this adaptation from Netflix did an excellent job of bringing a game series like DMC to a new audience without being carbon copied or too short.

Will Dante be able to stop White Rabbit from unleashing hell on Earth? Will DARKCOM uncover the true motives of demons invading the human realm? Who side is Barnes really on? We’re keeping it stylish while binge-watching the next episodes.

Brandon Beatty is editor-at-large of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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Marvel Character Highlight #41: Wolverine

Name: James “Logan” Howlett

Alias: Wolverine, Logan, Death, Patch, Weapon X

Affiliation: X-Men, West Coast Avengers, Krakoa’s X-Force, New Fantastic Four, Savage Avengers, Jotunheim Strikeforce, X-Force, New Avengers, Secret Defenders, Department H, Flight/Alpha Flight, Department K, S.H.I.E.L.D., Hand, Triad, Knights of Wundagore

Special abilities: Regeneration through healing factor, immunity to poisons, viruses, diseases and drugs, resistance to telepathy and alcohol, decelerated aging, retractable claws, Adamantium-laced skeleton, superhuman acute senses, strength, speed, stamina, durability, reflexes and agility, perception of animal emotions

Background: James “Logan” Howlett was born into a life of privilege and wealth in the late 1800s in Canada. His mutant abilities manifested at the same moment that his biological father, Thomas Logan, killed his adoptive father, John Howlett Sr. Nicknamed Logan after escaping the tragic scene, he wandered around the world, encountering Victor Creed/Sabertooth and becoming his mortal enemy. Later, he was forced into the Weapon X program where he was experimented on and received the Adamantium-laced skeleton that he is famous for. He was then rescued by Department H’s Mac and Heather Hudson and became known as the Wolverine. After working in Canada and for the CIA, he was approached by Professor Charles Xavier to join the X-Men.

Relationships: Itsu, wife (deceased); Akihiro/Daken (son); Erista (son); Laura Kinney/X-23, genetic daughter/clone (deceased); Raze Darkholme (son), many other daughters and sons (all deceased)

First Versus appearance: X-Men: Children of the Atom

Appearances in other media:
Television: Spider-Man and His Amazing Friends, X-Men: Pryde of the X-Men, X-Men: The Animated Series, Spider-Man: The Animated Series, X-Men: Evolution, Robot Chicken, Wolverine and the X-Men, The Super Hero Squad Show, Marvel Anime, Black Panther, The Avengers: Earth’s Mightiest Heroes, Marvel Superheroes: What the -?!, Ultimate Spider-Man

Animated movies: Hulk and the Agents of S.M.A.S.H., Marvel Disk Wars: The Avengers, X-Men ’97, Hulk vs. Wolverine, LEGO Marvel Super Heroes: Maximum Overload, LEGO Marvel Avengers: Code Red, LEGO Marvel Avengers: Mission Demolition

Film: X-Men, X2: X-Men United, The Wolverine, Logan, X-Men: Wolverine Origins, X-Men: The Last Stand, X-Men: First Class, X-Men: Days of Future Past, Deadpool & Wolverine, X-Men: Apocalypse

Video games: The Uncanny X-Men, X-Men: Madness in Murderworld, X-Men II: The Fall of the Mutants, Wolverine, X-Men (1992 arcade game), The Amazing Spider-Man, Spider-Man and the X-Men in Arcade’s Revenge, X-Men (1993), X-Men (1994), X-Men: Mutant Apocalypse, X-Men: Children of the Atom, X-Men: Gamesmaster’s Legacy, X-Men 2: Clone Wars, Marvel Super Heroes, X-Men vs. Street Fighter, X-Men: Mojo World, Marvel Super Heroes in War of the Gems, Marvel Super Heroes vs. Street Fighter, X-Men: The Ravages of Apocalypse, Marvel vs. Capcom: Clash of Super Heroes, Spider-Man, Marvel vs. Capcom 2: New Age of Heroes, X-Men: Mutant Wars, X-Men: Wolverine’s Rage, X-Men: Mutant Academy 2, X-Men: Reign of Apocalypse, Tony Hawk’s Pro Skater 3, X-Men: Next Dimension, X2: Wolverine’s Revenge, X-Men Legends, X-Men Legends II: Rise of Apocalypse, Ultimate Spider-Man, Marvel Nemesis: Rise of the Imperfects, Marvel: Ultimate Alliance, X-Men: The Official Game, Spider-Man: Web of Shadows, LittleBigPlanet, Marvel: Ultimate Alliance 2, Marvel Super Hero Squad, Spider-Man: Shattered Dimensions, Marvel Super Hero Squad: The Infinity Gauntlet, Marvel vs. Capcom 3: Fate of Two Worlds, Ultimate Marvel vs. Capcom 3, X-Men: Destiny, Marvel Super Hero Squad: Comic Combat, Marvel Super Hero Squad Online, Marvel Avengers Alliance, Marvel Avengers: Battle for Earth, Marvel Heroes, Deadpool, LEGO Marvel Super Heroes, Marvel: Avengers Alliance Tactics, Uncanny X-Men: The Days of Future Past, Marvel Contest of Champions, Marvel: Future Fight, Marvel Puzzle Quest, Fortnite Battle Royale, Marvel Strike Force, Marvel Powers United VR, Marvel Ultimate Alliance 3: The Black Order, Marvel’s Midnight Suns, Marvel Realm of Champions, Marvel Snap, Spider-Man 2 (2023), Marvel Rivals, Marvel’s Wolverine

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Anime Lounge: My Hero Academia Season 4

Series: My Hero Academia

Episodes: Season 4, Episodes 1-25

Premise: In the fourth season, Izuku Midoriya and Class 1A work to stop the machinations of the Shie Hassaikai, a yakuza group who works to manufacture quirk-destroying drugs. Led by Overhaul, the group of villains hopes to dethrone the League of Villains and Shigaraki while simultaneously taking over Japan. At the center of its quirk destroyer drug is Eri, a little girl whose quirk, Rewind, is being exploited to create the drug.

Is it worth watching?: Yes, if just for seeing Eri and seeing the beginning of Izuku really coming into his own with One for All.

Breakout character: Mr. Compress. Yes, Overhaul is the main villain here, but Mr. Compress is cool, and his quirk is just as cool as he is.

Where it’s going?: We’re getting into the beginning of the end and there is much more history of One for All to learn. Izuku is learning what makes One for All work and what it means to be a wielder of the powerful quirk.

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Top 5 List: Favorite MCU movies

Captain America: The Winter Soldier (2014)
Espionage, Samuel L. Jackson as Nick Fury, and several of the best fight scenes in the Marvel Cinematic Universe make this a classic. What puts Winter Soldier above the rest is its rewatch ability. After 11 years, Captain America’s coming out party is still a classic that commands attention whenever it’s on. And it doesn’t hurt that it features Mr. Marvel and GI favorite Chris Evans as Cap and also-favorite Sebastian Stan as the titular Winter Soldier.

Black Panther (2018)
The best origin story to ever come out of the MCU belongs to T’Challa and the Wakandans. A movie showcasing technologically advanced Black folks doing awesome things will always be top notch in our book. Add in perfectly paced action, good humor and a gorgeous cast and you have a strong contender for best MCU movie ever.

Avengers: Endgame (2019)
You knew this was going to be on this list. As the crowning glory for the Infinity Saga, Endgame had everything we wanted: Plot threads wrapped up, callbacks to the earlier films, every hero that we loved in some form and an ending fight scene that brought joy, laughter and tears all at once. And ending Steve Rogers’ and Tony Stark’s stories were the icing on the cake. We’ll even forgive the Fat Thor jokes slightly for the surrounding material.

Thor: Ragnarök (2017)
Solo Thor films are hit and miss, but this one was a hit all the way through. We’ve loved Chris Hemsworth since the original Avengers (forgive us, we saw Thor’s first solo outing later) and we loved the way he brought us into Thor’s world. Throw in the excellent humor, fun cast and infinitely quotable lines (“We should do ‘Get Help.'” “We’re not doing ‘Get Help.'”), and you have a great solo outing for the lovable Mjolnir-swinging meathead. And any movie where Tom Hiddleston’s Loki features, we love it instantly.

The Avengers (2012)
The first outing for the Big 6 is the best of the bunch; yes, that includes a universe where Avengers: Infinity War exists. The original Avengers has so much good in it: An excellent scene-stealing villain in Loki, the surprise reveal of Thanos at the end, group dynamics that make sense, great pacing and secondary characters that we care about and hilarious banter. It’s still watchable after 13 years, and it set the stage for a lot of what we now know about the MCU. What a fantastic ensemble movie.

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Strip Talk #42: Here’s hoping RDJ holds off doom with MCU return

I’m fully prepared to admit that I am wrong when the time comes, but right now count me among the naysayers of this idea of Robert Downey Jr. coming back to the MCU as Dr. Doom.

Yes, I cried when Tony Stark bit the big one at the end of Avengers: Endgame. It was 2019 and we had to say goodbye to an old friend. The world hadn’t yet descended into the madness that was and is COVID times, and it was the end of the MCU we’d all come to know and love. I let Tony Stark go, I let RDJ go, I let forever bae Christopher Robert Jamal Irving Evans III go (kind of …). I was ready to move forward and embrace whatever Lord Kevin Feige had cooking. So, count me as one of the shocked when RDJ was unveiled as Doom at the most recent Avengers: Doomsday event. I was absolutely shook at the announcement, but with some time and thought, I ultimately was not surprised.

For context, I’m a Marvel Puzzle Quest enthusiast, a massive one with both feet firmly planted in what is referred to as 5-Star land in the MPQ community. This means that my roster is nice and well put together. And a part of that nice roster is a character known as Doctor Doom (Infamous Iron Man). This variant of Doom is Iron Man in his timeline, and this is where I think this storyline could be going. Now, given that this is the MCU and is its own designated timeline (Earth-199999), the reverse could happen and instead of Doom becoming Iron Man, Iron Man becomes Doom. It would explain why the Doom of that timeline looks a lot like Tony Stark. Also, lost in all this sauce of the RDJ return announcement is the note that Chris Evans is tied to it. This could be easily explained that he’s showing up as a different character in this universe – Hydra Supreme Cap anyone? Because that’s a thing also.

I’m joyful to see RDJ, no doubt, but I have some hesitation in my joy. There’s no easy way to say this delicately: This was shock value. Marvel knows this is what folks have been waiting for since 2019 when the credits rolled and the mysterious iron tolling rang in the ending that we never thought would come. And let’s be honest: Marvel has not enjoyed the success that it once had in the previous phases. It might be business as usual, but this ploy is indicative of the panic setting in. The Russo Bros. and one of the writers of Endgame have been brought in to right the flagging ship and RDJ casted as Doom screams “We need help.”

As a massive Marvel head, I want to enjoy the excess of those heady times when we got Marvel movies that made history, told a good story to the cheap seats and the elites and everyone was happy watching RDJ be RDJ and Christopher Robert Jamal Irving Evans III be, well, Mr. Marvel. But I don’t know if RDJ as Doom is the halcyon we’re hoping it will be. Maybe the time has come to admit that the old winning formula is gone. I hope I’m proven wrong and this column ages like spoiled milk on a hot July day in Columbia, S.C. Let’s hope that this girl F.R.I.D.A.Y works out and isn’t a further slide into Dirty D territory. And “that’s on Chawls.”

Lyndsey Beatty is editor-in-chief of Gaming Insurrection. She can be reached by email at lyndseyb@gaminginsurrection.com

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Property Review: Street Fighter Alpha: The Animation

Photos courtesy of IMDB.com

Street Fighter Alpha: The Animation
Group TAC, 2000

Street Fighter Alpha anime the beta of fighting game franchise

Chances are, if you’re a fan of Street Fighter in general, you’ve probably already seen the Street Fighter Alpha anime. There was a time when this was required viewing for anyone who picked up a joystick and possibly enjoyed anime. Nearly 30 years after its release, it still fascinates but it’s iffy on whether or not it’s still required viewing.

The story begins with introducing the main crew: Chun-Li, Ken and Ryu. Following the story of the first game, Ken and Ryu are best friends who are like-minded in their pursuit of martial arts training. Ken gets the bright idea to enter a shady tournament and wants to drag along Ryu. Ryu, meanwhile, had to contend with a brother he never knew – Shun – popping up in his life, a new fan in Sakura and the Satsui no Hado threatening to take over his body and soul. All roads converge with the tournament, where a mysterious puppet string-pulling organizer collects data from familiar faces, such as Zangief and Birdie, and the crew.

There’s a lot to love about Alpha. The animation looks great for 1996 and it’s an interesting take on the now-established Alpha storyline. We know how it ends now but at the time, it was unheard of that Ryu might have family members we didn’t know about or Akuma actually talking instead of straight up killing folks. But that’s the charm of Alpha. It’s got the anime aesthetic we’re looking for from a licensed property, and it tries to add to the series’ lore with information that could be canon if we squint hard enough.


The most important part, however, is how does it hold up in the Street Fighter media juggernaut? It’s arguably fine. It’s much better than Street Fighter: The Movie, even without all of the cast showing up; it’s also slightly better than Street Fighter II V, an already solid property that also takes liberties with the lore. However, it isn’t better than the Street Fighter II anime. It doesn’t quite reach that level of legendary, but it’s almost there.

If you care at all about Street Fighter and want an entertaining set of fights, good voice acting and interesting what-if additions to the franchise lore, the Alpha anime is worth a watch and a gander at what a good Street Fighter property looks like.

HOW WE GRADE
We score the properties in three categories: Casting (or voice acting in cases of animated), plot and similarities to its source material. Each category receives points out of the maximum of 10 per category and 30 overall. The percentage is the final score.

Like the games: 8.5
Voice acting: 10
Story: 9
Total: 27.5/30 or 9.2

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Otaku Corner: Ghost of Yotei exposing worst of fandom

When GI acquired our PlayStation 4, we bought games that were perfect for it. Among those games was the critically acclaimed Ghosts of Tsushima, developed by Sony’s Sucker Punch Productions. Although we don’t have a lot of time to continue playing (life’s gonna life), the visuals, story and detail to authenticity of Ghost of Tsushima earned Lyndsey and I’s respect as a game that deserves its place among samurai masterpieces in video games.

When I heard that sequel Ghost of Yotei was in development, I began to consider plans to acquire a PS5 while praying to the video game gods that Sucker Punch would allow a version for PS4. This will be a glorious turn of events except that a troubling sector of geekdom aka Sons of Gamergate has risen their heads to attack the game, solely for the main character and its voice actor. This might spoil what is otherwise a joyous occasion.
When Ghost of Tsushima’s directors Nate Fox and Jason Connell announced that Yotei was in development in September 2024, I was psyched. A game inspired by the works of film director Akira Kurosawa that is half movie, half game, I felt that Ghost of Tsushima grabbed my attention and kept it with solid gameplay and style. I was also sold that Erika Ishii was chosen to play the main character, Atsu. However, when Ishii was announced, neckbeards, gamerbros and other moronic elements cried foul and began their uncoordinated, scattered plans to shoot down one of Ishii’s biggest moments in the limelight.

Ishii, known for their roles in Mobile Suit Gundam Narrative, Mortal Kombat One, Young

Erika Ishii, courtesy of IMDB.com

Justice: Phantoms and the Crisis on Infinite Earths trilogy, took preemptive action, blocking their personal social media accounts and refocusing their attention on other projects. The alliance of Sons of Gamergate continues their negative campaign urging other gamers and geeks to boycott projects that Ishii is involved or was previously involved in and made statements calling them a “DEI (diversity, equity, inclusion) hire,” “snowflake,” and “social justice warrior.” When this foolishness arises, I’ve no choice but to have a fireside chat with these “individuals.” Sons of Gamergate, sit your unwashed, uncultured, unseasoned food-eating asses down.
First, Ghost of Tsushima is a franchise that can stand on its own. Ishii, like other actors, auditioned for the part and was chosen by the directors for their talent. Second, unlike you morons, she has various skills for acting that includes dialect speech and was trained in song and various instruments.

Second, you neckbeards love Call of Duty, Fortnite, Apex Legends, Halo Infinite and Mortal Kombat One right? Ishii has made their impact in each franchise because of their knowledge of various combat arts including boxing and swordplay. As you try to run to your hate-filled, incel-approved bunkers, I enjoy informing you that Ishii has ventured into Marvel and DC territory with voice acting and as a presenter who interviewed Simu Liu and Taika Waititi at Marvel premieres, resulting in big wins for them. It also created other opportunities through other companies coming to them to have projects shine.

Third, while you huddle among your con-crud, no hygiene selves and try to play Dungeons & Dragons, Ishii’s got that on lock as well, being a seasoned tabletop veteran. They have also been a Dungeon Master, and presenter-producer on shows like Critical Role and Geek and Sundry. Also, I preemptively confiscated your waifu/husbando pillows of various Gundam models and characters such as Char Aznable because Ishii has stated her love of Gundam is so strong that she would live in a Gundam. Sorry not sorry, lads. As for the claims of Ishii being labeled the previously mentioned insults, they, like you knuckleheads, have the right to free speech in this country if they were not encouraging physical harm to others. In 2020, they like many other Americans were shocked to their core with the murder of George Floyd by police combined with discrimination against Asian-Americans and other minorities. Ishii used (and still uses their platform) to speak for those who are harmed by social injustice.

Sons of Gamergate, your attempts at stopping Ghost of Yotei and Erika Ishii are absolutely pathetic. I must also inform you and your band of brothers that many geeks do not condone your foolishness and will oppose you; GI is amongst this majority. As you leave this chat (Hudson Thames, I’m looking at you), shut the hell up about “Your friendly Neighborhood Spider-Man” not being DEI and woke. You were given a golden opportunity to voice an iconic character that other respected talent, such as Christopher Daniel Barnes, Josh Keaton and Yuri Lowenthal, had to audition heavy for. Zip it and put respect on Marvel’s and your fellow colleagues’ names. I make this statement on Charles Xavier and Stan Lee. Excelsior!

Brandon Beatty is editor-at-large of Gaming Insurrection. He can be reached by email at brandonb@gaminginsurrection.com

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