God Loves, Man Kills
Marvel Comics, 1982
God loves, but man kills discriminatively
In the dark recesses of the human soul lies a need to persecute. Every being that can afford to call itself human has the potential and inclination to sling labels of acrimony, to breed hatred for the sake of promoting themselves in the hierarchy of life. In the Marvel universe, it’s no different and yet maybe, somehow on a deeper level it’s worse. On a different plane of persecution from the normal homo sapien banter sit mutants. Homo superior knows that minute difference in makeup means jealousy, anger and retaliation. They also know it means the difference between staying alive and using super powers for good and dying a martyr for the cause.
God Loves, Man Kills is the culmination of Marvel’s attempt at framing the differences in mutant-human relations. The chilling murder of children, racism and classism — all for the sake of someone else being different — are effectively told through the eyes of the X-Men and various mutants who come into contact with the group and the antagonist, William Stryker. If you’ve seen the excellent X2 film, this is the main arc that makes up the bulk of the story. The movie, for all of its interweaving of characters and plot elements from various other arcs, is merely the entry point to the source material. But, what’s depicted is far worse. Stryker’s violent and horrific past that led to his crusade against mutants is the backbone for the present-day acts of brutality. Where the story succeeds is showing the genesis of Stryker’s cause and his means of achieving his goal: The eradication of the mutant population.
The excellent storytelling is obvious through the purposeful exposition and writing. It may not always be clear through the prose of characters like Professor Charles Xavier or Cyclops, but the main goal of all of the characters in the arc is nicely made bare in what is relatively short work. The art has a vintage ’80s inking and coloring to it, and the level of detail is outstanding.
The X-Men arcs have always had a story to tell, and God Loves, Man Kills is no different. The quality of the storytelling, the way it deftly weaves violently opposed viewpoints and the well-paced action make a powerful combination. The most interesting part of it all, however? How it so closely parallels the ills of today’s real society. This is another notch in Marvel’s favor toward its ability to relate to the real world at hand.
Art quality: 10
Overall score: 10
How we grade
We score the properties in three categories: Casting (or voice acting in the case of animated), plot and similarities to its source material. Each category receives points out of maximum of 10 per category, and 30 overall. The percentage is the final score.