Dance with the devil in Dante’s rebound adventure
When I finally got my own copy of Devil May Cry 3, I read that it brought back the melee action that made the first game awesome to play, but it raised the bar for future installments of Capcom’s demon-slaying series. Was the praise heaped upon DMC3 well deserved or was this another way of Capcom milking a great game series dry for more cash? I got my answer in Devil May Cry 3: Dante’s Awakening, Special Edition.
Set as a prequel to the original DMC, we find our fearless demon hunter Dante beginning to set up shop when a mysterious man named Arkham arrives with a invitation from Dante’s brother, Vergil. This “invitation” turns into a demon-style, revealing that Vergil has not only helped in resurrecting a ancient demonic tower, but also he wants Dante’s amulet to open a portal to connect the human and with the demon worlds. Dante, of course, is not pleased and sets off to stop Vergil and his plans of world domination.
DMC3 starts from the beginning as an explosive nonstop melee with brief but important tutorials for players to master Dante’s moves and his signature weapons. In addition to the tutorials, four different combative arts called “styles” are available to Dante, giving him various abilities to increase the power of various guns, striking weapons, dodge attacks, and unleashing hand-to-hand combat with devastating results. Once Dante defeats a certain boss, he will be able to use them in the form of unique, various weapons. There is a lock-on feature to directly target enemies that, with practice, will be a valuable tool to rip enemies apart. Also in the special edition, there are two modes of play: Normal, which is basic DMC speed; or, Turbo, where EVERYTHING is clocked up 20 times the normal speed of the game to test your skills. Also, you can play the game not only as Dante, but also as Vergil, who has some serious weaponry and moves that would make Jubei Yagyu be in awe.
The game music fits each level with a Phantom of the Opera type of feel while the battle scenes uses an electronic/heavy metal beat that heats up the battles. My only issue is that it’s repetitive every time I fight enemies, but it’s well done nonetheless. The voice acting in DMC is top-notch thanks to Reuben Langdon as Dante and Daniel Southworth (Power Rangers: Time Force) as Vergil. Both actors did the motion capture and voice work for their respective characters.
With the good comes the bad, however. While I appreciate the use of analog control in addition to moving the screen camera around, the controls are tank-like. That is frustrating because if I’m surrounded by enemies, I’m easy pickings. Also, the automatic firing ability of Ebony and Ivory is still in DMC3 but it requires rapid pressing instead of the fluid ease found in the first game. I also had to stock up (and I mean STOCK UP) on red orbs to purchase power ups for Dante and his weapons or learn new moves since the game was trying to do a stick-up job every time I need to make some upgrades. Fortunately, I could replay each mission to get more orbs or level up.
DMC3 lives up to its high praise guaranteeing plenty of challenge and replay value when you just want to get medieval on things but legally. This Special Edition is a no-holds barred adventure in demon-slaying with the best in the business. If Capcom wants to do a movie for Devil May Cry, I’m for it, but do it right; in other words Capcom, stick to the story and the payday bonanza will take care of itself.