Captain America: The Winter Soldier
Marvel Studios, 2014
Winter Soldier strikes cool balance
There is no such thing as not believing in the magic of superhero films. Marvel has proven that a ridiculous number of times over by this point, and you can’t deny the impact that a good action flick about beautiful people with super powers has over the general buying public. But then there comes along a solid title that takes things a step further in terms of technical details, action, acting and writing. That film manages to open a new path in terms of presentation and overall packaging that makes you, the viewer, believe that anything is possible in terms of the improvement in quality for all comic book-based properties. That film is Captain America: The Winter Soldier.
Let’s stop for a minute and take stock of the storyline, because this sets up just how well the movie makes its point about being a comic book property. Captain America is living life in the S.H.I.E.L.D way two years after the events of the Avengers. Things are good, he’s doing his job and all seems right in the world though he’s chafing a bit under the S.H.I.E.L.D rule. And then all hell breaks loose. In short order, Nick Fury is shot — apparently fatally — in Steve Rogers’ living room by an unknown assassin, S.H.I.E.L.D seems like it’s out to kill Rogers and he’s on the run while trying to figure out who and what can he trust. That assassin? It turns out this assassin isn’t really unknown but is the Winter Solider, someone that Rogers has encountered many a time before who’s fundamentally opposed to Rogers’ mission to stop the chaos.
There’s so much tight writing and story exposition jam-packed into two hours of Winter Soldier that it’s impossible to accurately describe the synopsis without giving away major plot points. Everything is a major plot point and the pacing at which it’s revealed is perfect. At no point did Winter Soldier give away the fact that it’s a two-hour film centered on political intrigue. At no point did it drag so much that details were lost. It’s the kind of movie that requires multiple viewings just to catch the little things that will be lost on the average moviegoer.
It’s a bad thing that the film doesn’t drag, though, because it’s the movie of the ridiculously good-looking (and great acting) people. Like every movie released in the Marvel cinematic universe, Winter Soldier seems to be casted with and directed by people who were secretly born to play their roles. Even the newcomer — Anthony Mackie as Sam Wilson/Falcon — fits this role so well that it’s as if he were always there, just waiting in the wings to be introduced. The acting is superb and it’s done in such a way that you really get behind the motivation of each individual, forgetting for just a moment that this, indeed, is a comic book come to the big screen.
Winter Soldier probably suffers from only one flaw and that’s the obviousness of the formula. It’s a great formula, and a great problem to have, but it’s pretty obvious by now that Marvel has its ducks in a row and they know how to put together a good crew and storyline for their movies. Winter Soldier slightly seems to fall into that complacency, but it quickly recovers and doesn’t stand for resting on its laurels for long. Just when you think there’s not enough action going on, there’s a distraction in the form of a great set piece or storyline push that remedies the problem. That’s the mark of a good movie.
Even if it is based on a comic book property.
Like the comics: 9
Overall score: 26.5/30 or 8.8
How we grade
We score the properties in three categories: Casting (or voice acting in the case of animated), plot and similarities to its source material. Each category receives points out of maximum of 10 per category, and 30 overall. The percentage is the final score.